In this Issue

Table of Contents

Oscar Wilde's Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray

John Paul Riquelme
pp. 609-631
DOI: https://doi.org/10.1353/mfs.2000.0056
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"Double Born": Bram Stoker and the Metrocolonial Gothic

Joseph Valente
pp. 632-645
DOI: https://doi.org/10.1353/mfs.2000.0058
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Oxford's Ghosts: Jude the Obscure and the End of Gothic

Patrick R. O'Malley
pp. 646-671
DOI: https://doi.org/10.1353/mfs.2000.0054
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Race, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough's The Wind

Susan Kollin
pp. 675-694
DOI: https://doi.org/10.1353/mfs.2000.0053
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"I'm in the Business Too": Gothic Chivalry, Private Eyes, and Proxy Sex and Violence in Chandler's The Big Sleep

Charles J. Rzepka
pp. 695-724
DOI: https://doi.org/10.1353/mfs.2000.0057
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Parodied to Death: The Postmodern Gothic of American Psycho

Ruth Helyer
pp. 725-746
DOI: https://doi.org/10.1353/mfs.2000.0052
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Reading Rooms: M.R. James and the Library of Modernity

Penny Fielding
pp. 749-771
DOI: https://doi.org/10.1353/mfs.2000.0050
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"No More Than Ghosts Make": The Hauntology and Gothic Minimalism of Beckett's Late Work

Graham Fraser
pp. 772-785
DOI: https://doi.org/10.1353/mfs.2000.0051
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The Horror, The Horror: Recent Studies in Gothic Fiction

Anne Williams
pp. 789-799
DOI: https://doi.org/10.1353/mfs.2000.0059
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Introduction: Toward a History of Gothic and Modernism: Dark Modernity from Bram Stoker to Samuel Beckett

John Paul Riquelme
pp. 585-605
DOI: https://doi.org/10.1353/mfs.2000.0055
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Contributors

pp. 800-801
DOI: https://doi.org/10.1353/mfs.2000.0049
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