Oral Tradition

In this Issue

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Dylan and the Nobel

Gordon Ball

pp. 14-29

DOI: https://doi.org/10.1353/ort.2007.0011

The Streets of Rome: The Classical Dylan

Richard F. Thomas

pp. 30-56

DOI: https://doi.org/10.1353/ort.2007.0015

A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics

Christophe Lebold

pp. 57-70

DOI: https://doi.org/10.1353/ort.2007.0016

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Living, Breathing Songs: Singing Along with Bob Dylan

Keith Negus

pp. 71-83

DOI: https://doi.org/10.1353/ort.2007.0009

Vocal Performance and Speech Intonation: Bob Dylan's "Like a Rolling Stone"

Michael Daley

pp. 84-98

DOI: https://doi.org/10.1353/ort.2007.0019

Never Quite Sung in this Fashion Before: Bob Dylan's "Man of Constant Sorrow"

Todd Harvey

pp. 99-111

DOI: https://doi.org/10.1353/ort.2007.0010

"Sólo Soy Un Guitarrista": Bob Dylan in the Spanish-Speaking World––Influences, Parallels, Reception, and Translation

Christopher Rollason

pp. 112-133

DOI: https://doi.org/10.1353/ort.2007.0012

Amerindian Roots of Bob Dylan's Poetry

Emmanuel Désveaux, Valerie Burling

pp. 134-150

DOI: https://doi.org/10.1353/ort.2007.0021

Bob Dylan, the Ordinary Star

Laure Bouquerel

pp. 151-161

DOI: https://doi.org/10.1353/ort.2007.0014

A Semantic and Syntactic JourneyThrough the Dylan Corpus

Jean-Charles Khalifa

pp. 162-174

DOI: https://doi.org/10.1353/ort.2007.0013

Nothing's Been Changed, Except the Words: Some Faithful Attempts at Covering Bob Dylan Songs in French

Nicolas Froeliger

pp. 175-196

DOI: https://doi.org/10.1353/ort.2007.0008

"The Low Hum in Syllables and Meters": Blues Poetics in Bob Dylan's Verbal Art

Catharine Mason

pp. 197-216

DOI: https://doi.org/10.1353/ort.2007.0022

About the Authors

pp. 217-219

DOI: https://doi.org/10.1353/ort.2007.0017

Special Editors' Column

Catharine Mason, Richard F. Thomas

p. vii

DOI: https://doi.org/10.1353/ort.2007.0018

Introduction

Catharine Mason, Richard F. Thomas

pp. 3-13

DOI: https://doi.org/10.1353/ort.2007.0020

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Additional Information
ISSN	1542-4308
Print ISSN	0883-5365
Launched on MUSE	2007-11-27
Open Access	No
Archive Status	Archived

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Oral Tradition

In this Issue

Volume 22, Number 1, March 2007

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Table of Contents

Dylan and the Nobel

The Streets of Rome: The Classical Dylan

A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics

Living, Breathing Songs: Singing Along with Bob Dylan

Vocal Performance and Speech Intonation: Bob Dylan's "Like a Rolling Stone"

Never Quite Sung in this Fashion Before: Bob Dylan's "Man of Constant Sorrow"

"Sólo Soy Un Guitarrista": Bob Dylan in the Spanish-Speaking World––Influences, Parallels, Reception, and Translation

Amerindian Roots of Bob Dylan's Poetry

Bob Dylan, the Ordinary Star

A Semantic and Syntactic JourneyThrough the Dylan Corpus

Nothing's Been Changed, Except the Words: Some Faithful Attempts at Covering Bob Dylan Songs in French

"The Low Hum in Syllables and Meters": Blues Poetics in Bob Dylan's Verbal Art

About the Authors

Special Editors' Column

Introduction

Previous Issue

Next Issue

Copyright

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