1. A Note from the Guest Editors
  2. Brian Hyer, Ryan Minor
  3. pp. 205-207
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  1. The Talking Wound and the Foolish Question: Symbolization in Parsifal
  2. Lawrence Kramer
  3. pp. 208-229
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  1. Hexatonic Poles and the Uncanny in Parsifal
  2. Richard Lawrence Cohn
  3. pp. 230-248
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  1. Parsifal's Promise or Parsifal's Reality? On the Politics of Voice Exchange in Wagner's Grail Operas
  2. Ryan Minor
  3. pp. 249-268
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  1. Parsifal hystérique
  2. Brian Hyer
  3. pp. 269-320
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  1. Bayreuth and Homosexuality: A Reflection
  2. Oskar Panizza
  3. pp. 324-328
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  1. Homosexuality and the Manly Absolute: Hanns Fuchs on Richard Wagner
  2. Mitchell Morris
  3. pp. 328-333
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  1. Parsifal and Eroticism in Wagner's Music [1903]
  2. Hanns, b. 1881 Fuchs, John Urang
  3. pp. 334-344
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  1. Theater Becomes a Political Event: " Parsifal as a document from the year 1882"
  2. Peter Konwitschny, Kathleen Hulley, Malika Maskarinec
  3. pp. 360-362
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  1. A Companion to Wagner's "Parsifal" (review)
  2. Steven Rings
  3. pp. 363-369
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  1. Hans Jürgen Syberberg and His Film of Wagner's "Parsifal" (review)
  2. Jeongwon Joe
  3. pp. 369-375
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  1. Parsifal (review)
  2. Yuval Sharon
  3. pp. 375-380
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  1. Parsifal (review)
  2. Ehren Fordyce
  3. pp. 380-390
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  1. Books Received
  2. p. 191
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  1. An Introduction to Oskar Panizza's "Bayreuth and Homosexuality" (1895) "Checkmate," or, "A Heavenly Tragedy" and its Earthly Consequences
  2. Isolde Vetter
  3. pp. 321-323
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  1. Notes from the Stage: Parsifal : An Introduction
  2. David J. Levin
  3. pp. 345-348
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  1. Contributors to This Issue
  2. pp. 392-393
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