1. Puppets Dallying: Thoughts on Shakespearean Theatricality
  2. Kenneth Gross
  3. pp. 273-296
  4. DOI: 10.1353/cdr.2007.0030
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  1. A Hermaphrodite? Lope de Vega and the Controversy of Tragicomedy
  2. Sofie Kluge
  3. pp. 297-333
  4. DOI: 10.1353/cdr.2007.0031
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  1. G. B. Shaw's Heartbreak House and Harold Pinter's The Homecoming : Comedies of Implosion
  2. Emil Roy
  3. pp. 335-348
  4. DOI: 10.1353/cdr.2007.0037
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  1. Incest Disguised: Ottonian Influence at Gandersheim and Hrotsvit's Abraham
  2. Regula Meyer Evitt
  3. pp. 349-369
  4. DOI: 10.1353/cdr.2007.0028
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  1. Treason by Words: Literature, Law, and Rebellion in Shakespeare's England (review)
  2. Charles Stanley Ross
  3. pp. 371-373
  4. DOI: 10.1353/cdr.2007.0036
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  1. Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry (review)
  2. James P. Bednarz
  3. pp. 373-377
  4. DOI: 10.1353/cdr.2007.0025
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  1. The Whirligig of Time: Essays on Shakespeare and Czechoslovakia (review)
  2. Jessica Munns
  3. pp. 377-379
  4. DOI: 10.1353/cdr.2007.0032
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  1. Making Theatre in Northern Ireland: Through and Beyond the Troubles (review)
  2. Maria Germanou
  3. pp. 379-383
  4. DOI: 10.1353/cdr.2007.0029
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  1. The Last "Darky": Bert Williams, Black-On-Black Minstrelsy, and the African Diaspora (review)
  2. Leslie Pasternack
  3. pp. 383-386
  4. DOI: 10.1353/cdr.2007.0034
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  1. Fatal Desire: Women, Sexuality and the English Stage, 1660–1720 (review)
  2. Bridget Orr
  3. pp. 386-389
  4. DOI: 10.1353/cdr.2007.0033
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  1. Cosmetics in Shakespearean and Renaissance Drama (review)
  2. Patricia Berrahou Phillippy
  3. pp. 389-392
  4. DOI: 10.1353/cdr.2007.0035
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  1. Ghosts of Theatre and Cinema in the Brain (review)
  2. Mateusz Borowski, Małgorzata Sugiera
  3. pp. 393-396
  4. DOI: 10.1353/cdr.2007.0026
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  1. Brief Notices
  2. pp. 401-404
  3. DOI: 10.1353/cdr.2007.0027
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