1. Theorizing German Romance: The Excursus on Enite's Horse and Saddle in Hartmann von Aue's Erec
  2. Will Hasty
  3. pp. 253-264
  4. DOI: 10.1353/smr.2007.0043
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  1. Variations on a Romantic Theme: The Education of the Artist in E. T. A. Hoffmann's Der Kampf der Sänger and Der Feind
  2. Paola Mayer
  3. pp. 280-300
  4. DOI: 10.1353/smr.2007.0047
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  1. Threatened Masculinity and the Ambivalence of Being a Jew: The Image of Women in Theodor Herzl's Literary Writings
  2. Hanni Mittelmann
  3. pp. 301-317
  4. DOI: 10.1353/smr.2007.0049
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  1. "Es ist eine Lüge!" Habsburg Potemkin Villages in Joseph Roth's Radetzkymarsch
  2. J. Colin Fewster
  3. pp. 318-336
  4. DOI: 10.1353/smr.2007.0040
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  1. Faust, Mephisto, and God in Else Lasker-Schüler's IchundIch
  2. Sarah Fraiman-Morris
  3. pp. 337-350
  4. DOI: 10.1353/smr.2007.0041
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  1. Elfriede Jelinek in absentia oder die Sprache zur Sprache bringen
  2. Maria-Regina Kecht
  3. pp. 351-365
  4. DOI: 10.1353/smr.2007.0044
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  1. Mechthild of Magdeburg and Her Book: Gender and the Making of Textual Authority (review)
  2. Albrecht Classen
  3. pp. 366-368
  4. DOI: 10.1353/smr.2007.0039
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  1. Les Allemands du Québec: Parcours et discours d'une communauté méconnue (review)
  2. Josef Schmidt
  3. pp. 368-369
  4. DOI: 10.1353/smr.2007.0050
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  1. The Holy Fool: Christian Faith and Theology in J. M. R. Lenz (review)
  2. Karin A. Wurst
  3. pp. 370-371
  4. DOI: 10.1353/smr.2007.0051
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  1. Georg Büchners Schulzeit: Ausgewählte Schülerschriften und ihre Quellen (review)
  2. Gerhard Peter Knapp
  3. pp. 371-373
  4. DOI: 10.1353/smr.2007.0045
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  1. The Void of Ethics: Robert Musil and the Experience of Modernity (review)
  2. Timothy J. Mehigan
  3. pp. 375-378
  4. DOI: 10.1353/smr.2007.0048
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