1. From the Editor
  2. Marshall C. Olds
  3. p. 8
  4. DOI: 10.1353/ncf.2007.0084
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  1. Madame de Staël et Victor Hugo face à la réalité et la légende napoléoniennes
  2. Edward Ousselin
  3. pp. 9-20
  4. DOI: 10.1353/ncf.2007.0086
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  1. Stendhal et l'invention de l'intellectuel
  2. Marie-Pierre Le Hir
  3. pp. 21-44
  4. DOI: 10.1353/ncf.2007.0080
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  1. Sand's La Mare Au Diable, Awakening through "Evil" and the Hero's Journey
  2. James F. Hamilton
  3. pp. 45-60
  4. DOI: 10.1353/ncf.2007.0076
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  1. Tough Love, Hard Bargains: Rape and Coercion in Balzac
  2. Andrew Counter
  3. pp. 61-71
  4. DOI: 10.1353/ncf.2007.0073
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  1. The Space of Time: Delaroche's Depiction of Modern Historical Narrative
  2. Beth Segal Wright
  3. pp. 72-92
  4. DOI: 10.1353/ncf.2007.0095
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  1. The History of the History of the Salon
  2. Duncan McColl Chesney
  3. pp. 94-108
  4. DOI: 10.1353/ncf.2007.0072
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  1. Apostasy Apostasized: The Effects of Censorship and Self-Censorship on Baudelaire's "Le Reniement de saint Pierre"
  2. William Olmsted
  3. pp. 109-121
  4. DOI: 10.1353/ncf.2007.0085
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  1. "Le Père Judas," ou la (re)construction laborieuse d'un conte peu convaincant de Guy de Maupassant
  2. Bernard Haezewindt
  3. pp. 122-134
  4. DOI: 10.1353/ncf.2007.0075
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  1. Justice, Zola's Global Utopian Gospel
  2. Carmen Mayer-Robin
  3. pp. 135-149
  4. DOI: 10.1353/ncf.2007.0082
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  1. Pour fixer la trace. Photographie, littérature et voyage au milieu du xixe siècle (review)
  2. Grant Crichfield
  3. pp. 150-151
  4. DOI: 10.1353/ncf.2007.0074
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  1. French Symbolist Poetry and the Idea of Music (review)
  2. Heath Lees
  3. pp. 152-153
  4. DOI: 10.1353/ncf.2007.0079
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  1. La Femme chez Heinrich Heine et Charles Baudelaire: le langage moderne de l'amour (review)
  2. Catherine Witt
  3. pp. 154-156
  4. DOI: 10.1353/ncf.2007.0094
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  1. The Hysteric's Revenge: French Women Writers at the Fin de Siècle (review)
  2. Cristina Mazzoni
  3. pp. 156-158
  4. DOI: 10.1353/ncf.2007.0083
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  1. Chateaubriand avant le Génie du Christianisme : Actes du Colloque ENS Ulm (review)
  2. Dorothy M. Betz
  3. pp. 158-159
  4. DOI: 10.1353/ncf.2007.0071
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  1. The Centenarian, or, The Two Beringhelds (review)
  2. Mary L. Poteau-Tralie
  3. pp. 160-161
  4. DOI: 10.1353/ncf.2007.0087
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  1. Critique théâtrale. Tome I (1835-1838) (review)
  2. Freeman G. Henry
  3. pp. 161-163
  4. DOI: 10.1353/ncf.2007.0078
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  1. The Private Secretary (review)
  2. Eve Sourian
  3. pp. 163-166
  4. DOI: 10.1353/ncf.2007.0091
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  1. The Writer of Modern Life. Essays on Charles Baudelaire, by Walter Benjamin (review)
  2. Ann Smock
  3. pp. 166-168
  4. DOI: 10.1353/ncf.2007.0090
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  1. Le Bovarysme, suivi d'une étude de Per Buvik, Le Principe bovaryque (review)
  2. Yvonne Bargues Rollins
  3. pp. 168-170
  4. DOI: 10.1353/ncf.2007.0088
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  1. Zola: La plume et le compas: La construction de l'espace dans "Les Rougon-Macquart" d'Emile Zola (review)
  2. Hannah Thompson
  3. pp. 170-171
  4. DOI: 10.1353/ncf.2007.0092
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  1. Les Opérations financières dans le roman réaliste: Lectures de Balzac et de Zola (review)
  2. Paul Rowe
  3. pp. 171-173
  4. DOI: 10.1353/ncf.2007.0089
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  1. De Corbière à Tristan: "Les amours jaunes," une quête de l'identité (review)
  2. Heather Williams
  3. pp. 173-174
  4. DOI: 10.1353/ncf.2007.0093
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  1. Papiers retrouvés (review)
  2. Michele Hannoosh
  3. pp. 175-177
  4. DOI: 10.1353/ncf.2007.0077
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  1. Correspondances (review)
  2. Maryline Lukacher
  3. pp. 177-178
  4. DOI: 10.1353/ncf.2007.0081
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