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Table of Contents

  1. Selective Affinities: British Playwrights at Work
  2. Janelle G. Reinelt
  3. pp. 305-345
  4. DOI: https://doi.org/10.1353/mdr.2007.0060
  5. restricted access
  1. Ghosts from an Imperfect Place: Philip Ridley's Nostalgia
  2. Ken Urban
  3. pp. 325-345
  4. DOI: https://doi.org/10.1353/mdr.2007.0063
  5. restricted access
  1. Blasted's Hysteria: Rape, Realism, and the Thresholds of the Visible
  2. Kim Solga
  3. pp. 346-374
  4. DOI: https://doi.org/10.1353/mdr.2007.0062
  5. restricted access
  1. ''Form Follows Function'': Meaning and Politics in Martin Crimp's Fewer Emergencies
  2. Aleks Sierz
  3. pp. 375-393
  4. DOI: https://doi.org/10.1353/mdr.2007.0061
  5. restricted access
  1. Bringing the Global Home: The Commitment of Caryl Churchill's The Skriker
  2. Candice Amich
  3. pp. 394-413
  4. DOI: https://doi.org/10.1353/mdr.2007.0050
  5. restricted access
  1. Roy Williams: Representing Multicultural Britain in Fallout
  2. Harry Derbyshire
  3. pp. 414-434
  4. DOI: https://doi.org/10.1353/mdr.2007.0054
  5. restricted access
  1. Towards a Post-millennial Mainstream? Documents of the Times
  2. C. D. Innes
  3. pp. 435-452
  4. DOI: https://doi.org/10.1353/mdr.2007.0055
  5. restricted access
  1. Theatre, Performance and Technology: The Development of Technology in the Twentieth Century (review)
  2. Kathleen M. Irwin
  3. pp. 453-455
  4. DOI: https://doi.org/10.1353/mdr.2007.0056
  5. restricted access
  1. Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company (review)
  2. Peter A. Campbell
  3. pp. 456-457
  4. DOI: https://doi.org/10.1353/mdr.2007.0052
  5. restricted access
  1. Harold Pinter's Politics: A Silence beyond Echo (review)
  2. Mark Batty
  3. pp. 458-460
  4. DOI: https://doi.org/10.1353/mdr.2007.0051
  5. restricted access
  1. Bertolt Brecht: Performance and Philosophy (review)
  2. Astrid Oesmann
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/mdr.2007.0058
  5. restricted access
  1. The American Musical and the Performance of Personal Identity (review)
  2. Stacy Ellen Wolf
  3. pp. 462-464
  4. DOI: https://doi.org/10.1353/mdr.2007.0064
  5. restricted access
  1. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (review)
  2. Matthew Rebhorn
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/mdr.2007.0059
  5. restricted access
  1. Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement (review)
  2. Lisa Wolford Wylam
  3. pp. 467-469
  4. DOI: https://doi.org/10.1353/mdr.2007.0065
  5. restricted access
  1. Performing Consumers: Global Capital and Its Theatrical Seductions (review)
  2. Baz Kershaw
  3. pp. 470-472
  4. DOI: https://doi.org/10.1353/mdr.2007.0057
  5. restricted access
  1. Editorial Note
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.2007.0066
  5. restricted access
  1. Contributors
  3. pp. 473-474
  4. DOI: https://doi.org/10.1353/mdr.2007.0053
  5. restricted access