1. Graham Greene's and Carol Reed's The Third Man : When a Cowboy Comes to Vienna
  2. Michael Sinowitz
  3. pp. 405-433
  4. DOI: 10.1353/mfs.2007.0069
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  1. From Superhuman to Posthuman: The Gothic Technological Imaginary in Mary Shelley's Frankenstein and Octavia Butler's Xenogenesis
  2. Theodora Goss, John Paul Riquelme
  3. pp. 434-459
  4. DOI: 10.1353/mfs.2007.0068
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  1. The Unreliable Ripley: Irony and Satire in Robert McLiam Wilson's Ripley Bogle
  2. Elke D'hoker
  3. pp. 460-477
  4. DOI: 10.1353/mfs.2007.0065
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  1. Women's Bodies as Sites of (Trans)National Politics in Cristina Garcia's The Aguero Sisters
  2. Teresa Derrickson
  3. pp. 478-500
  4. DOI: 10.1353/mfs.2007.0058
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  1. "We Are Not the World": Global Village, Universalism, and Karen Tei Yamashita's Tropic of Orange
  2. Sue-Im Lee
  3. pp. 501-527
  4. DOI: 10.1353/mfs.2007.0049
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  1. Performing the Body in Don DeLillo's The Body Artist
  2. Anne Longmuir
  3. pp. 528-543
  4. DOI: 10.1353/mfs.2007.0071
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  1. Leavis's Grandchildren? New Perspectives on Science and Modernism
  2. Suzanne Black
  3. pp. 569-577
  4. DOI: 10.1353/mfs.2007.0060
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  1. Suffering in Silence— Or in English
  2. Ian Almond
  3. pp. 578-583
  4. DOI: 10.1353/mfs.2007.0067
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  1. The DeLillo Dilemma
  2. Glen Scott Allen
  3. pp. 584-593
  4. DOI: 10.1353/mfs.2007.0062
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  1. Camera Works: Photography and the Twentieth-Century Word (review)
  2. Laura Barrett
  3. pp. 596-599
  4. DOI: 10.1353/mfs.2007.0056
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  1. Walker Percy's Search for Community (review)
  2. Timothy Carlisle
  3. pp. 599-604
  4. DOI: 10.1353/mfs.2007.0046
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  1. Passionate Collaborations: Learning to Live with Gertrude Stein (review)
  2. Georgia Johnston
  3. pp. 605-607
  4. DOI: 10.1353/mfs.2007.0061
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  1. Faulkner and the Great Depression: Aesthetics, Ideology, and Cultural Politics (review)
  2. Matthew Lessig
  3. pp. 608-610
  4. DOI: 10.1353/mfs.2007.0053
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  1. Wounded Hearts: Masculinity, Law, and Literature in American Culture (review)
  2. William M. Morgan
  3. pp. 610-613
  4. DOI: 10.1353/mfs.2007.0047
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  1. Imagining the African American West (review)
  2. Paul D. Reich
  3. pp. 614-617
  4. DOI: 10.1353/mfs.2007.0055
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  1. A Superficial Reading of Henry James: Preoccupations with the Material World (review)
  2. Brian Artese
  3. pp. 618-621
  4. DOI: 10.1353/mfs.2007.0048
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  1. Black British Literature: Novels of Transformation (review)
  2. John Clement Ball
  3. pp. 621-624
  4. DOI: 10.1353/mfs.2007.0052
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  1. Unknowing: The Work of Modernist Fiction (review)
  2. André Bleikasten
  3. pp. 624-627
  4. DOI: 10.1353/mfs.2007.0070
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  1. Ethics and Nostalgia in the Contemporary Novel (review)
  2. Dave Gunning
  3. pp. 627-630
  4. DOI: 10.1353/mfs.2007.0073
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  1. Jamaica Kincaid: Writing Memory, Writing Back to the Mother (review)
  2. Ericka Hoagland
  3. pp. 630-634
  4. DOI: 10.1353/mfs.2007.0057
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  1. African Fiction and Joseph Conrad: Reading Postcolonial Intertextuality (review)
  2. Padmini Mongia
  3. pp. 634-637
  4. DOI: 10.1353/mfs.2007.0066
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  1. Narrative Settlements: Geographies of British Women's Fiction between the Wars (review)
  2. Karen Lynnea Piper
  3. pp. 638-641
  4. DOI: 10.1353/mfs.2007.0051
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  1. J.M. Coetzee and the Ethics of Reading: Literature in the Event (review)
  2. Mark Sanders
  3. pp. 641-645
  4. DOI: 10.1353/mfs.2007.0059
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  1. The Ambivalent Art of Katherine Anne Porter (review)
  2. Ruth M. Alvarez
  3. pp. 646-651
  4. DOI: 10.1353/mfs.2007.0072
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  1. Play and the Politics of Reading: The Social Uses of Modernist Form (review)
  2. Anne E. Fernald
  3. pp. 651-654
  4. DOI: 10.1353/mfs.2007.0063
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  1. Literature as Conduct: Speech Acts in Henry James (review)
  2. Rob Davidson
  3. pp. 654-656
  4. DOI: 10.1353/mfs.2007.0054
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  1. Interpreting Our World: Authority and the Written Word in Robert J. Conley's Real People Series
  2. Christopher B. Teuton
  3. pp. 544-568
  4. DOI: 10.1353/mfs.2007.0064
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  1. Contributors
  3. pp. 657-658
  4. DOI: 10.1353/mfs.2007.0050
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