1. Encounters
  2. Daniel Charles Gerould
  3. pp. 349-352
  4. DOI: 10.1353/tj.2007.0136
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  1. Thinking through Translation: The Psychophysical Dynamics of Direction
  2. Rustom Bharucha
  3. pp. 352-355
  4. DOI: 10.1353/tj.2007.0128
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  1. Keywords and Contexts: Translating Theatre Theory
  2. Loren Kruger
  3. pp. 355-358
  4. DOI: 10.1353/tj.2007.0146
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  1. Translating Greek Tragedy to the Modern Stage
  2. Lorna Hardwick
  3. pp. 358-361
  4. DOI: 10.1353/tj.2007.0148
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  1. I like to take a Greek play
  2. Charles L. Mee
  3. pp. 361-363
  4. DOI: 10.1353/tj.2007.0153
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  1. Translating Greek Theatre
  2. David Wiles
  3. pp. 363-366
  4. DOI: 10.1353/tj.2007.0156
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  1. Metamorphosis from a Distance
  2. J. Thomas Rimer
  3. pp. 366-369
  4. DOI: 10.1353/tj.2007.0163
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  1. Semper Fidelis
  2. Laurence Senelick
  3. pp. 369-372
  4. DOI: 10.1353/tj.2007.0166
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  1. Life, of Course
  2. Rafael Spregelburd, Jean Graham-Jones
  3. pp. 373-377
  4. DOI: 10.1353/tj.2007.0171
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  1. Some Thoughts on García Lorca and the Arts of Translation
  2. Caridad Svich
  3. pp. 377-379
  4. DOI: 10.1353/tj.2007.0172
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  1. Why Translation Matters
  2. Douglas Langworthy
  3. pp. 379-381
  4. DOI: 10.1353/tj.2007.0155
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  1. Becoming Chocolate, a tale of racial translation
  2. Jill Lane
  3. pp. 382-387
  4. DOI: 10.1353/tj.2007.0154
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  1. Performing Translation in Contemporary Anglo-American Drama
  2. Jenny S. Spencer
  3. pp. 389-410
  4. DOI: 10.1353/tj.2007.0170
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  1. Adaptation as Appropriation: Staging Western Drama in the First Western-Style Theatres in Japan and China
  2. Siyuan Liu
  3. pp. 411-429
  4. DOI: 10.1353/tj.2007.0159
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  1. Translation as an Epistemological Paradigm for Theatre in the Americas
  2. Adam Versényi
  3. pp. 431-447
  4. DOI: 10.1353/tj.2007.0173
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  1. Invisible Indigeneity: First Nations and Aboriginal Theatre in Japanese Translation and Performance
  2. Beverley Curran
  3. pp. 449-465
  4. DOI: 10.1353/tj.2007.0141
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  1. Translation, Typography, and the Avant-Garde's Impossible Text
  2. Sarah Bay-Cheng
  3. pp. 467-483
  4. DOI: 10.1353/tj.2007.0127
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  1. La Dernière Bande / Krapp's Last Tape, and: Oh les Beaux Jours (review)
  2. Pannill Camp
  3. pp. 485-488
  4. DOI: 10.1353/tj.2007.0132
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  1. Damascus Theatre Festival (review)
  2. Edward Ziter
  3. pp. 488-491
  4. DOI: 10.1353/tj.2007.0175
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  1. The Crucible, and: 4.48 Psychosis, and: King Lear, and: The Scholar and the Executioner, and: Crows and Sparrows (review)
  2. Claire Conceison
  3. pp. 491-493
  4. DOI: 10.1353/tj.2007.0139
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  1. King Lear (review)
  2. Alexander C. Y. Huang
  3. pp. 494-495
  4. DOI: 10.1353/tj.2007.0149
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  1. Othello's Passion: A Kabuki Play (review)
  2. Scott R. Irelan
  3. pp. 495-497
  4. DOI: 10.1353/tj.2007.0150
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  1. Hamlet: Blood on the Brain (review)
  2. Beth Wynstra
  3. pp. 497-498
  4. DOI: 10.1353/tj.2007.0178
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  1. Lit Moon World Shakespeare Festival (review)
  2. Kathleen M. Cioffi
  3. pp. 498-502
  4. DOI: 10.1353/tj.2007.0137
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  1. The Merchant of Venice (review)
  2. Ray Schultz
  3. pp. 502-504
  4. DOI: 10.1353/tj.2007.0165
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  1. The Beaux' Stratagem (review)
  2. Yvonne Shafer
  3. pp. 504-506
  4. DOI: 10.1353/tj.2007.0167
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  1. La Omisión de la Familia Coleman (review)
  2. Elisa Legon
  3. pp. 506-508
  4. DOI: 10.1353/tj.2007.0157
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  1. Gatz (review)
  2. Sara Jane Bailes
  3. pp. 508-509
  4. DOI: 10.1353/tj.2007.0126
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  1. Argonautika (review)
  2. Jennifer Caldwell
  3. pp. 509-511
  4. DOI: 10.1353/tj.2007.0131
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  1. Eraritjaritjaka, Musée des Phrases (review)
  2. Leslie Atkins Durham
  3. pp. 511-513
  4. DOI: 10.1353/tj.2007.0143
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  1. Must Don't Whip 'Um (review)
  2. Eric Colleary
  3. pp. 513-515
  4. DOI: 10.1353/tj.2007.0138
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  1. The Internationalist (review)
  2. Carly Smith
  3. pp. 515-516
  4. DOI: 10.1353/tj.2007.0168
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  1. Drunk Enough to Say I Love You? (review)
  2. Amelia Howe Kritzer
  3. pp. 516-517
  4. DOI: 10.1353/tj.2007.0152
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  1. Hell House (review)
  2. James M. Cherry
  3. pp. 517-519
  4. DOI: 10.1353/tj.2007.0134
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  1. Carrie (review)
  2. Jordan Schildcrout
  3. pp. 519-520
  4. DOI: 10.1353/tj.2007.0164
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  1. Highways 17th Birthday (review)
  2. Stefanie Snider
  3. pp. 520-521
  4. DOI: 10.1353/tj.2007.0169
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  1. Performance Review Erratum
  3. p. 521
  4. DOI: 10.1353/tj.2007.0179
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  1. Ethno-Techno: Writings on Performance, Activism, and Pedagogy (review)
  2. Laura Levin
  3. pp. 523-524
  4. DOI: 10.1353/tj.2007.0158
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  1. Encounters with Tadeusz Kantor (review)
  2. Karolina Wróbel
  3. pp. 524-525
  4. DOI: 10.1353/tj.2007.0177
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  1. Samuel Beckett: Anatomy of a Literary Revolution (review)
  2. Gregory Byala
  3. pp. 526-527
  4. DOI: 10.1353/tj.2007.0130
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  1. Trans-Global Readings: Crossing Theatrical Boundaries (review)
  2. William Whitney
  3. pp. 527-528
  4. DOI: 10.1353/tj.2007.0174
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  1. Agamemnon in Performance, 458 BC to AD 2004 (review)
  2. Robert Davis
  3. pp. 528-529
  4. DOI: 10.1353/tj.2007.0142
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  1. Greek Tragedy and the British Theatre, 1660–1914 (review)
  2. Alison Forsyth
  3. pp. 530-531
  4. DOI: 10.1353/tj.2007.0145
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  1. Divine Fire: Eight Contemporary Plays Inspired by the Greeks (review)
  2. Miriam M. Chirico
  3. pp. 531-533
  4. DOI: 10.1353/tj.2007.0135
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  1. Staging Resistance: Plays by Women in Translation (review)
  2. Charlotte McIvor
  3. pp. 533-535
  4. DOI: 10.1353/tj.2007.0161
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  1. The Concise Köchel (review)
  2. David J. Eshelman
  3. pp. 535-536
  4. DOI: 10.1353/tj.2007.0144
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  1. Nahuatl Theater, Volume 1: Death and Life in Colonial Nahua Mexico (review)
  2. George Panaghi
  3. pp. 536-537
  4. DOI: 10.1353/tj.2007.0162
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  1. Women on Stage in Stuart Drama (review)
  2. Jeanne Willcoxon
  3. pp. 537-539
  4. DOI: 10.1353/tj.2007.0176
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  1. Shakespeare, Italy, and Intertextuality (review)
  2. Kyna Hamill
  3. pp. 539-540
  4. DOI: 10.1353/tj.2007.0147
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  1. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (review)
  2. David Krasner
  3. pp. 540-541
  4. DOI: 10.1353/tj.2007.0151
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  1. Operatic China: Staging Chinese Identity across the Pacific (review)
  2. Siyuan Liu
  3. pp. 541-543
  4. DOI: 10.1353/tj.2007.0160
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  1. Dancing Communities: Performance, Difference, and Connection in the Global City (review)
  2. Clare Croft
  3. pp. 543-544
  4. DOI: 10.1353/tj.2007.0140
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  1. Editorial comment: the stakes of theatrical translation
  2. Jean Graham-Jones
  3. pp. ix-xiii
  4. DOI: 10.1353/tj.2007.0133
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  1. Books Received
  3. pp. 545-550
  4. DOI: 10.1353/tj.2007.0129
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