In this Issue

Table of Contents

Henry James and Dirty French Novels

Peter Brooks
pp. 202-212
DOI: https://doi.org/10.1353/hjr.2007.0017
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What Does Jamesian Style Want?

David Kurnick
pp. 213-222
DOI: https://doi.org/10.1353/hjr.2007.0025
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"Ghostlier Demarcations, Keener Sounds": Scare Quotes in "The Jolly Corner"

Lee Clark Mitchell
pp. 223-231
DOI: https://doi.org/10.1353/hjr.2007.0016
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A Fitting "Form": The Ethical Bearing of a Keyword in Roderick Hudson

Rebekah Scott
pp. 232-241
DOI: https://doi.org/10.1353/hjr.2007.0024
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"Monstrous Levity": Between Realism and Vision in Two of Henry James's Artist-Tales

Daniel T. O'Hara
pp. 242-248
DOI: https://doi.org/10.1353/hjr.2007.0020
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"The Plot against Narration: Disavowal in The Spoils of Poynton"

Christine McBride
pp. 249-258
DOI: https://doi.org/10.1353/hjr.2007.0014
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Narrative Refusals and Generic Transformation in Austen and James: What Doesn't Happen in Northanger Abbey and The Spoils of Poynton

Robyn R. Warhol
pp. 259-268
DOI: https://doi.org/10.1353/hjr.2007.0026
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"Conventional Signs and Consecrations": Henry James's Theatrical Forms, from "The Théâtre Français" to The Portrait of a Lady

Andrew Eastham
pp. 269-280
DOI: https://doi.org/10.1353/hjr.2007.0019
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The "Interminable Dramatic Daisy Miller"

William A. Wortman
pp. 281-291
DOI: https://doi.org/10.1353/hjr.2007.0015
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Stupid Sensations: Henry James, Good Form, and Reading Middlemarch Without a Brain

Kent Puckett
pp. 292-298
DOI: https://doi.org/10.1353/hjr.2007.0022
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Opera and the Novel: The Case of Henry James (review)

David L. Mosley
pp. 299-301
DOI: https://doi.org/10.1353/hjr.2007.0018
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Index to Volume 28

pp. 304-305
DOI: https://doi.org/10.1353/hjr.2007.0023
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Jamesian Forms: Introduction

Susan M. Griffin
pp. 199-201
DOI: https://doi.org/10.1353/hjr.2007.0021
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