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In this Issue

Table of Contents

  1. Subversive sounds: ethnic spectatorship and Boston's nickelodeon theatres, 1907–1914
  2. Desirée J. Garcia
  3. pp. 213-227
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.213
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  1. The origin and development of the American moving picture poster
  2. Gary Don Rhodes
  3. pp. 228-246
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.228
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  1. The Motion Picture Distributing and Sales Company
  2. Max Joseph Alvarez
  3. pp. 247-270
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.247
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  1. 'Uproarious Inventions': The Keystone Film Company, modernity, and the art of the motor
  2. Rob King
  3. pp. 271-291
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.271
  5. restricted access
  1. 'For the Love of the Art': The life and work of Percy Nash, film producer and director of the silent era
  2. Bernard Ince
  3. pp. 292-301
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.292
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  1. Lejaren à Hiller and the cinema
  2. D. John Turner
  3. pp. 302-318
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.302
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  1. Picturization partners: Elinor Glyn and the Thalberg contract affair
  2. Vincent L. Barnett
  3. pp. 319-329
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.319
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  1. Beginning of motion picture press agenting
  2. Robert H. Cochrane
  3. pp. 330-332
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.330
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  1. Introduction: Movie Business
  2. Richard Koszarski
  3. pp. 211-212
  4. DOI: https://doi.org/10.2979/fil.2007.19.3.211
  5. restricted access