In this Issue

Table of Contents

Contact!

Martin Crowley
pp. 1-6
DOI: https://doi.org/10.1353/esp.2007.0053
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Ex-Voto: Image, Organ, Time

Georges Didi-Huberman, Gerald Moore
pp. 7-16
DOI: https://doi.org/10.1353/esp.2007.0057
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Feeling Dirty: Touched by the Post-War Erotic

Lawrence R. Schehr
pp. 17-28
DOI: https://doi.org/10.1353/esp.2007.0060
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Walking with Angels in Giacometti and Beckett

Timothy Mathews
pp. 29-42
DOI: https://doi.org/10.1353/esp.2007.0058
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Fantasizing Contact: The Freudian Object

Patrick Ffrench
pp. 43-54
DOI: https://doi.org/10.1353/esp.2007.0059
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Impossible Contact: The Thing in Lacan and Rachel Whiteread

Johanna Malt
pp. 55-67
DOI: https://doi.org/10.1353/esp.2007.0056
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The Evidence of the Image

Ian James
pp. 68-79
DOI: https://doi.org/10.1353/esp.2007.0049
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Le Toucher and the Corpus of Tact: Exploring Touch and Technicity with Jacques Derrida and Jean-Luc Nancy

Donald A. Landes
pp. 80-92
DOI: https://doi.org/10.1353/esp.2007.0052
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Peindre le toucher: la leçon de continence de Rubens mise en mots par Roger de Piles

Lucile Gaudin-Bordes
pp. 93-105
DOI: https://doi.org/10.1353/esp.2007.0046
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La Résistance intime: contact et immédiateté du sens chez Jean Paulhan

Eric Trudel
pp. 106-118
DOI: https://doi.org/10.1353/esp.2007.0048
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The Work of Art in the Age of Global Consumption: Agnès Varda's Les Glaneurs et la glaneuse

Ruth Cruickshank
pp. 119-132
DOI: https://doi.org/10.1353/esp.2007.0055
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Corps-Caméra : The Evocation of Touch in the Dardennes' La Promesse (1996)

Joseph Mai
pp. 133-144
DOI: https://doi.org/10.1353/esp.2007.0054
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La Chair du Chef-d'œuvre inconnu

Nicolas Valazza
pp. 145-154
DOI: https://doi.org/10.1353/esp.2007.0051
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Ossa Loquuntur !: Sur une impression caribéenne

Vincent Bruyère
pp. 155-167
DOI: https://doi.org/10.1353/esp.2007.0047
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Correction

p. ii
DOI: https://doi.org/10.1353/esp.2007.0050
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