1. Contact!
  2. Martin Crowley
  3. pp. 1-6
  4. DOI: 10.1353/esp.2007.0053
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  1. Ex-Voto: Image, Organ, Time
  2. Georges Didi-Huberman, Gerald Moore
  3. pp. 7-16
  4. DOI: 10.1353/esp.2007.0057
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  1. Feeling Dirty: Touched by the Post-War Erotic
  2. Lawrence R. Schehr
  3. pp. 17-28
  4. DOI: 10.1353/esp.2007.0060
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  1. Walking with Angels in Giacometti and Beckett
  2. Timothy Mathews
  3. pp. 29-42
  4. DOI: 10.1353/esp.2007.0058
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  1. Fantasizing Contact: The Freudian Object
  2. Patrick Ffrench
  3. pp. 43-54
  4. DOI: 10.1353/esp.2007.0059
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  1. Impossible Contact: The Thing in Lacan and Rachel Whiteread
  2. Johanna Malt
  3. pp. 55-67
  4. DOI: 10.1353/esp.2007.0056
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  1. The Evidence of the Image
  2. Ian James
  3. pp. 68-79
  4. DOI: 10.1353/esp.2007.0049
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  1. Le Toucher and the Corpus of Tact: Exploring Touch and Technicity with Jacques Derrida and Jean-Luc Nancy
  2. Donald A. Landes
  3. pp. 80-92
  4. DOI: 10.1353/esp.2007.0052
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  1. Peindre le toucher: la leçon de continence de Rubens mise en mots par Roger de Piles
  2. Lucile Gaudin-Bordes
  3. pp. 93-105
  4. DOI: 10.1353/esp.2007.0046
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  1. La Résistance intime: contact et immédiateté du sens chez Jean Paulhan
  2. Eric Trudel
  3. pp. 106-118
  4. DOI: 10.1353/esp.2007.0048
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  1. The Work of Art in the Age of Global Consumption: Agnès Varda's Les Glaneurs et la glaneuse
  2. Ruth Cruickshank
  3. pp. 119-132
  4. DOI: 10.1353/esp.2007.0055
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  1. Corps-Caméra : The Evocation of Touch in the Dardennes' La Promesse (1996)
  2. Joseph Mai
  3. pp. 133-144
  4. DOI: 10.1353/esp.2007.0054
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  1. La Chair du Chef-d'œuvre inconnu
  2. Nicolas Valazza
  3. pp. 145-154
  4. DOI: 10.1353/esp.2007.0051
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  1. Ossa Loquuntur !: Sur une impression caribéenne
  2. Vincent Bruyère
  3. pp. 155-167
  4. DOI: 10.1353/esp.2007.0047
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  1. Correction
  3. p. ii
  4. DOI: 10.1353/esp.2007.0050
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