L'Esprit Créateur

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Contact!
Martin Crowley
pp. 1-6
DOI: https://doi.org/10.1353/esp.2007.0053

Ex-Voto: Image, Organ, Time
Georges Didi-Huberman, Gerald Moore
pp. 7-16
DOI: https://doi.org/10.1353/esp.2007.0057

Feeling Dirty: Touched by the Post-War Erotic
Lawrence R. Schehr
pp. 17-28
DOI: https://doi.org/10.1353/esp.2007.0060

Walking with Angels in Giacometti and Beckett
Timothy Mathews
pp. 29-42
DOI: https://doi.org/10.1353/esp.2007.0058

Fantasizing Contact: The Freudian Object
Patrick Ffrench
pp. 43-54
DOI: https://doi.org/10.1353/esp.2007.0059

Impossible Contact: The Thing in Lacan and Rachel Whiteread
Johanna Malt
pp. 55-67
DOI: https://doi.org/10.1353/esp.2007.0056

The Evidence of the Image
Ian James
pp. 68-79
DOI: https://doi.org/10.1353/esp.2007.0049

La Résistance intime: contact et immédiateté du sens chez Jean Paulhan
Eric Trudel
pp. 106-118
DOI: https://doi.org/10.1353/esp.2007.0048

Corps-Caméra : The Evocation of Touch in the Dardennes' La Promesse (1996)
Joseph Mai
pp. 133-144
DOI: https://doi.org/10.1353/esp.2007.0054

La Chair du Chef-d'œuvre inconnu
Nicolas Valazza
pp. 145-154
DOI: https://doi.org/10.1353/esp.2007.0051

Ossa Loquuntur !: Sur une impression caribéenne
Vincent Bruyère
pp. 155-167
DOI: https://doi.org/10.1353/esp.2007.0047

Correction
p. ii
DOI: https://doi.org/10.1353/esp.2007.0050

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