In this Issue

Table of Contents

Trollope's Modernity

Amanda Anderson
pp. 509-534
DOI: https://doi.org/10.1353/elh.2007.0020
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Earnshaw's Neighbor/Catherine's Friend: Ethical Contingencies in Wuthering Heights

Richard Dellamora
pp. 535-555
DOI: https://doi.org/10.1353/elh.2007.0023
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"Making Out" Jane Eyre

Debra Gettelman
pp. 557-581
DOI: https://doi.org/10.1353/elh.2007.0024
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An Erotics of Detachment: Middlemarch and Novel-Reading as Critical Practice

David Kurnick
pp. 583-608
DOI: https://doi.org/10.1353/elh.2007.0025
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The Bard, the Bible, and the Victorian Shakespeare Question

Charles Laporte
pp. 609-628
DOI: https://doi.org/10.1353/elh.2007.0026
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Aesthetic Embarrassment: The Reversion to the Picturesque in Nineteenth-Century English Tourism

Linda Marilyn Austin
pp. 629-653
DOI: https://doi.org/10.1353/elh.2007.0021
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The "Unbearable Realism of a Dream": On the Subject of Portraits in Austen and Dickens

Alexander Bove
pp. 655-679
DOI: https://doi.org/10.1353/elh.2007.0022
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An Englishwoman's Workhouse is her Castle: Poor Management and Gothic Fiction in the 1790s

Scott R. MacKenzie
pp. 681-705
DOI: https://doi.org/10.1353/elh.2007.0027
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Neutering Addison and Steele: Aesthetic Failure and the Spectatorial Public Sphere

Anthony Pollock
pp. 707-734
DOI: https://doi.org/10.1353/elh.2007.0028
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Romance, Sleep, and the Passions in Sir Philip Sidney's The Old Arcadia

Garrett A. Sullivan
pp. 735-757
DOI: https://doi.org/10.1353/elh.2007.0029
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