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In this Issue

Table of Contents

  1. The Electroacoustic Music Studies Network
  2. Marc Battier
  3. p. 418
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Historical Perspective

  1. Computer Graphic\-\-Aesthetic Experiments between Two Cultures
  2. Christoph Klutsch
  3. pp. 421-425
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Artist's Note

  1. The Teleporter Zone: Interactive Media Arts in the Healthcare Context
  2. Paul Sermon
  3. pp. 426-431
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Artist's Article

  1. Meaning without Borders: likn and Distributed Knowledge
  2. Ben Syverson
  3. pp. 433-438
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Special Section: Lovely Weather: Art and Climate Change

  1. O-24 Licht: A Project Combining Art and Applied Research
  2. Angelo Stagno, Andrea van der Straeten
  3. pp. 440-441
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  1. Between Reason and Sensation: Antipodean Artists and Climate Change
  2. Janine Randerson
  3. pp. 442-448
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Color Plates

  1. Color Plates
  2. pp. 449-456
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Extended Abstract

  1. The Singing Shamail: A Computer Sound Installation
  2. Bulat M. Galeyev
  3. p. 458
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Special Section: In the Light of History: Papers from 2005 Refresh! Conference

  1. Special Section Introduction: Catching the History of the Media Arts
  2. Sean Cubitt
  3. pp. 460-461
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  1. Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor
  2. Chris Meigh-Andrews
  3. pp. 463-467
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  1. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration
  2. Ryszard W. Kluszczyński
  3. pp. 469-474
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Theoretical Perspective

  1. Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction
  2. Ajaykumar
  3. pp. 475-481
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Special Section: ArtScience: The Essential Connection

  1. Certain of Heisenberg's Arts
  2. Robert Scott Root-Bernstein
  3. p. 483
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  1. Looking Beneath the Surface: The Radial Spread of Ink in Water
  2. Pery Burge
  3. pp. 484-488
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General Note

  1. Governing Artistic Innovation: An Interface among Art, Science and Industry
  2. Jean-Paul Fourmentraux
  3. pp. 489-492
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From the Leonardo Archive

  1. Art and Math, Forever
  2. Michele Emmer
  3. p. 493
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  1. Scalebound or Scaling Shapes: A Useful Distinction in the Visual Arts and in the Natural Sciences
  2. Benoit B. Mandelbrot
  3. pp. 494-496
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Leonardo Reviews

  1. The Jasons: The Secret History of Science's Postwar Elite (review)
  2. John F. Barber
  3. pp. 497-498
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  1. The Sculpture of Ruth Asawa: Contours in the Air (review)
  2. Amy Ione
  3. pp. 498-499
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  1. The King of Infinite Space: Donald Coxeter and the Magic of Geometry (review)
  2. Stefaan van Ryssen
  3. pp. 499-500
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  1. Cartographies of Tsardom: The Land and its Meanings in Seventeenth-Century Russia (review)
  2. Stefaan van Ryssen
  3. pp. 500-501
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  1. Technology Matters: Questions to Live With (review)
  2. Michael Punt
  3. p. 501
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  1. Seeing High and Low: Representing Social Conflict in American Visual Culture (review)
  2. Jan Baetens
  3. p. 502
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  1. Organized Networks: Media Theory, Creative Labour, New Institutions (review)
  2. Geoff Cox
  3. pp. 502-503
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  1. Ylem Journal: Artists Using Science and Technology (review)
  2. Rob Harle
  3. pp. 503-504
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  1. RES Magazine (review)
  2. Michael R. Mosher
  3. p. 504
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  1. The Angelmakers (review)
  2. Kathryn Adams
  3. pp. 504-505
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  1. Playing the News (review)
  2. Amy Ione
  3. pp. 505-506
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  1. Hats of Jerusalem (review)
  2. Jonathan Leslie Zilberg
  3. pp. 506-507
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  1. Leonardo Reviews On-line
  2. pp. 507-508
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  1. Partial Reflections
  2. Andrew Johnston, Benjamin Marks
  3. pp. 510-511
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Leonardo Network News

  1. Leonardo Network News
  2. p. 512
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