1. I've Been Provoked: Pushing against the Bush Library
  2. Rhonda Blair
  3. pp. 2-3
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  1. Is Performance Studies Imperialist? Part 2
  2. Janelle G. Reinelt
  3. pp. 7-16
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  1. Letters, Etc.
  2. Ananda Lal, Erin B. Mee
  3. pp. 17-18
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  1. "White Cities," "Diamond Zulus," and the "African Contribution to Human Advancement": African Modernities and the World's Fairs
  2. Loren Kruger
  3. pp. 19-45
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  1. Causing More Trouble Out There: Mark Russell on P.S. 122
  2. Beth Kurkjian
  3. pp. 46-76
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  1. A Coda: An Epilogue of Sorts
  2. Mark Russell
  3. pp. 76-79
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  1. Highway 61 Revisited
  2. Paige McGinley
  3. pp. 80-97
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  1. Present-Day Kutiyattam: G. Venu's Radical and Reactionary Sanskrit Theatre
  2. Christian DuComb
  3. pp. 98-117
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  1. Machines, Faces, Neurons: Towards an Ethics of Dance
  2. André Lepecki
  3. pp. 118-123
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  1. Apparatus, Attention, and the Body: The Theatre Machines of Boris Charmatz
  2. Gerald Siegmund
  3. pp. 124-139
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  1. Researching Dance in the Wild: Brazilian Experiences
  2. Christine Greiner
  3. pp. 140-155
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  1. Creative Endurance and the Face Machine: RoseAnne Spradlin's Survive Cycle
  2. Victoria Anderson Davies
  3. pp. 156-166
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  1. The "Rehabilitation" of Howard Brenton
  2. Janelle G. Reinelt
  3. pp. 167-174
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  1. The Politics of Failure: Nao Bustamante's Hero
  2. Joshua Chambers-Letson
  3. pp. 174-181
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  1. Transforming Geographies and Reconfigured Spaces: South Africa's National Arts Festival
  2. Daniel Larlham
  3. pp. 182-188
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  1. Exhausting Dance: Performance and the Politics of Movement (review)
  2. Thomas DeFrantz
  3. pp. 189-191
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  1. Social Performance: Symbolic Action, Cultural Pragmatics, and Ritual (review)
  2. Marvin A. Carlson
  3. pp. 192-193
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  1. Between Tongues: Translation and/of/in Performance in Asia (review)
  2. C. J. Wan-ling Wee
  3. pp. 194-195
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  1. Alfred Jarry: An Imagination in Revolt (review)
  2. Branislav Jakovljevic
  3. pp. 196-197
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