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In this Issue

Table of Contents

  1. The Printed Dissemination of the Roman Gradual in Italy during the Early Modern Period
  2. Richard J. Agee
  3. pp. 9-42
  4. DOI: https://doi.org/10.1353/not.2007.0100
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  1. A Survey of the Written Reception of Carl Nielsen, 1931-2006
  2. Niels Krabbe
  3. pp. 43-56
  4. DOI: https://doi.org/10.1353/not.2007.0115
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  1. An Annotated Catalogue of the Music Manuscripts in the Folger Shakespeare Library, Washington, D.C. (review)
  2. Catherine Dixon
  3. pp. 60-61
  4. DOI: https://doi.org/10.1353/not.2007.0104
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  1. The Violin: A Research and Information Guide (review)
  2. Michael J. Duffy
  3. pp. 61-63
  4. DOI: https://doi.org/10.1353/not.2007.0105
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  1. William Byrd and his Contemporaries: Essays and a Monograph (review)
  2. Kerry Robin McCarthy
  3. pp. 63-66
  4. DOI: https://doi.org/10.1353/not.2007.0120
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  1. Music as Philosophy: Adorno and Beethoven's Late Style (review)
  2. Lydia Goehr
  3. pp. 66-68
  4. DOI: https://doi.org/10.1353/not.2007.0108
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  1. Gustav Mahler and the New York Philharmonic Orchestra Tour America (review)
  2. James L. Zychowicz
  3. pp. 68-71
  4. DOI: https://doi.org/10.1353/not.2007.0134
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  1. Janáček: Years of a Life. Volume I (1854–1914): The Lonely Blackbird (review)
  2. Diane M. Paige
  3. pp. 71-72
  4. DOI: https://doi.org/10.1353/not.2007.0125
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  1. George Crumb and the Alchemy of Sound: Essays on His Music (review)
  2. Victoria Adamenko
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/not.2007.0097
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  1. The Prima Donna and Opera, 1815–1930 (review)
  2. Richard Le Sueur
  3. pp. 73-75
  4. DOI: https://doi.org/10.1353/not.2007.0116
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  1. Recognition in Mozart's Operas (review)
  2. Pierpaolo Polzonetti
  3. pp. 75-77
  4. DOI: https://doi.org/10.1353/not.2007.0126
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  1. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim (review)
  2. Elizabeth Anne Wells
  3. pp. 79-81
  4. DOI: https://doi.org/10.1353/not.2007.0132
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  1. The Sound of Stevie Wonder: His Words and Music (review)
  2. Jeanette L. Casey
  3. pp. 81-83
  4. DOI: https://doi.org/10.1353/not.2007.0102
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  1. Staging Tradition: John Lair and Sarah Gertrude Knott (review)
  2. Ned Quist
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/not.2007.0127
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  1. Music in Jewish History and Culture (review)
  2. Ronit Seter
  3. pp. 85-88
  4. DOI: https://doi.org/10.1353/not.2007.0129
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  1. Orchestration: An Anthology of Writings (review)
  2. S. Timothy Maloney
  3. pp. 88-91
  4. DOI: https://doi.org/10.1353/not.2007.0118
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  1. Audio and Video Equipment Basics for Libraries (review)
  2. Joe C. Clark
  3. pp. 91-92
  4. DOI: https://doi.org/10.1353/not.2007.0103
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 93-109
  4. DOI: https://doi.org/10.1353/not.2007.0109
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  1. New Periodicals
  2. Erin Mayhood
  3. pp. 110-116
  4. DOI: https://doi.org/10.1353/not.2007.0119
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  1. African American Song (review)
  2. Edward M. Komara
  3. pp. 117-121
  4. DOI: https://doi.org/10.1353/not.2007.0114
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  1. Cylinder Preservation and Digitization Project (review)
  2. Jim Farrington
  3. pp. 121-123
  4. DOI: https://doi.org/10.1353/not.2007.0107
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  1. P.D.Q. Bach in Houston: We Have a Problem (review)
  2. Tammy Ravas
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/not.2007.0128
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  1. Le Roi de Lahore, and: In convertendo (review)
  2. John Holland
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/not.2007.0112
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  1. Herbert von Karajan in Rehearsal and Performance (review)
  2. Joan O'Connor
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/not.2007.0123
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  1. William Kanengiser—Classical Guitar and Beyond, and: LAGQ Live! (review)
  2. Randall Zwally
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/not.2007.0133
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  1. Itzhak Perlman in the Fiddler's House: A Journey to the Heart of Klezmer (review)
  2. Joan O'Connor
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/not.2007.0124
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  1. Jazz Shots from the West Coast, Vol. 1 (review)
  2. Gerald A. Notaro
  3. p. 130
  4. DOI: https://doi.org/10.1353/not.2007.0121
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  1. Pianists—Defining Chopin (review)
  2. Michael Adams
  3. p. 131
  4. DOI: https://doi.org/10.1353/not.2007.0098
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  1. Glenn Gould Hereafter (review)
  2. Rob Haskins
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/not.2007.0110
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  1. Martha Argerich and Friends (review)
  2. Michael Adams
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/not.2007.0099
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  1. Ear-Walking Woman (review)
  2. Travis D. Stimeling
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/not.2007.0130
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  1. New Orleans Piano Players (review)
  2. Michael Ashenfelder
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/not.2007.0101
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  1. American Victorian Choral Music (review)
  2. Gayle Sherwood
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/not.2007.0117
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  1. Sacred Vocal Works, and: Three Sacred Cantatas: Esther, Susanne, Judith, and: Secular Vocal Works (review)
  2. David Tunley
  3. pp. 141-144
  4. DOI: https://doi.org/10.1353/not.2007.0131
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 156-160
  4. DOI: https://doi.org/10.1353/not.2007.0111
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  1. Notes for NOTES
  3. pp. 57-59
  4. DOI: https://doi.org/10.1353/not.2007.0122
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  1. Meyerbeer Studies: A Series of Lectures, Essays, and Articles on the Life and Work of Giacomo Meyerbeer (review)
  2. Mark Everist
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/not.2007.0106
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  1. Music Received
  2. David Knapp
  3. pp. 145-155
  4. DOI: https://doi.org/10.1353/not.2007.0113
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