1. Sherston's Imaginary Friend: Siegfried Sassoon's Autobiographical Prose and the Idea of Photography
  2. Susan Bruce
  3. pp. 173-193
  4. DOI: 10.1353/bio.2007.0034
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  1. Remembering Walter Benjamin: Benjamin and His Biographers
  2. Udi E. Greenberg
  3. pp. 194-212
  4. DOI: 10.1353/bio.2007.0038
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  1. Theatre and AutoBiography: Writing and Performing Lives in Theory and Practice (review)
  2. Ryan Claycomb
  3. pp. 213-215
  4. DOI: 10.1353/bio.2007.0035
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  1. Musical Biography: Towards New Paradigms (review)
  2. Christopher Wiley
  3. pp. 215-219
  4. DOI: 10.1353/bio.2007.0044
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  1. Loving Dr. Johnson (review)
  2. Paul Tankard
  3. pp. 220-224
  4. DOI: 10.1353/bio.2007.0042
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  1. Traveling Women: Narrative Visions of Early America (review)
  2. Catherine Allgor
  3. pp. 224-227
  4. DOI: 10.1353/bio.2007.0032
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  1. The Ethics of Working Class Autobiography: Representation of Family by Four American Authors (review)
  2. Michelle M. Tokarczyk
  3. pp. 227-230
  4. DOI: 10.1353/bio.2007.0043
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  1. The Era of the Witness (review)
  2. Catherine Hobbs
  3. pp. 230-234
  4. DOI: 10.1353/bio.2007.0040
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  1. From Split to Screened Selves: French and Francophone Autobiography in the Third Person (review)
  2. Kirsty Bell
  3. pp. 234-237
  4. DOI: 10.1353/bio.2007.0033
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  1. C'était Marguerite Duras, 1914-1945 (review)
  2. Cécile Hanania
  3. pp. 238-240
  4. DOI: 10.1353/bio.2007.0039
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  1. Reviewed Elsewhere
  2. pp. 241-313
  3. DOI: 10.1353/bio.2007.0041
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  1. Editors' Note
  2. Miriam Fuchs, Craig Howes
  3. p. iii
  4. DOI: 10.1353/bio.2007.0037
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  1. Contributors
  2. pp. 317-318
  3. DOI: 10.1353/bio.2007.0036
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