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In this Issue

Table of Contents

  1. (Re-)Staging Love's Labour's Lost
  2. William C. Carroll
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/shb.2007.0024
  5. restricted access

Shakespeare on Screen

Review Article

  1. Locating the Bard: Adaptation and Authority in Michael Radford's The Merchant of Venice
  2. L. Monique Pittman
  3. pp. 13-33
  4. DOI: https://doi.org/10.1353/shb.2007.0038
  5. restricted access

Film Forum

  1. The Forgotten Hamlet
  2. Olwen Terris
  3. pp. 35-39
  4. DOI: https://doi.org/10.1353/shb.2007.0040
  5. restricted access

Book Review

  1. Shakespeare Translated: Derivatives on Film and TV (review)
  2. Jared Johnson
  3. pp. 41-43
  4. DOI: https://doi.org/10.1353/shb.2007.0029
  5. restricted access

Theatre Reviews

  1. A Midsummer Night's Dream, and: The Merchant of Venice (review)
  2. Douglas E. Green
  3. pp. 45-49
  4. DOI: https://doi.org/10.1353/shb.2007.0027
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  1. The Taming of the Shrew (review)
  2. Steve Mentz
  3. pp. 49-51
  4. DOI: https://doi.org/10.1353/shb.2007.0034
  5. restricted access
  1. As You Like It (review)
  2. Marc E. Shaw
  3. pp. 52-55
  4. DOI: https://doi.org/10.1353/shb.2007.0039
  5. restricted access
  1. Much Ado About Nothing (review)
  2. Elizabeth Klett
  3. pp. 55-58
  4. DOI: https://doi.org/10.1353/shb.2007.0030
  5. restricted access
  1. M4M: an all male version of Shakespeare's Measure for Measure (review)
  2. Brian D. Bethune
  3. pp. 58-62
  4. DOI: https://doi.org/10.1353/shb.2007.0021
  5. restricted access
  1. The Old Law: Or a New Way to Please You (review)
  2. Andrew Fleck
  3. pp. 62-65
  4. DOI: https://doi.org/10.1353/shb.2007.0026
  5. restricted access
  1. The Merchant of Venice (review)
  2. Keith M. Botelho
  3. pp. 65-70
  4. DOI: https://doi.org/10.1353/shb.2007.0022
  5. restricted access
  1. The Merchant of Venice (review)
  2. Robert Kole
  3. pp. 70-73
  4. DOI: https://doi.org/10.1353/shb.2007.0032
  5. restricted access
  1. Richard II (review)
  2. Ramona Franziska Mosse
  3. pp. 73-77
  4. DOI: https://doi.org/10.1353/shb.2007.0036
  5. restricted access
  1. Hamlet (review)
  2. Yu Jin Ko
  3. pp. 77-81
  4. DOI: https://doi.org/10.1353/shb.2007.0031
  5. restricted access
  1. Macbeth (review)
  2. Thomas Price Campbell
  3. pp. 81-85
  4. DOI: https://doi.org/10.1353/shb.2007.0023
  5. restricted access
  1. Coriolanus (review)
  2. Adrienne L. Eastwood
  3. pp. 85-88
  4. DOI: https://doi.org/10.1353/shb.2007.0025
  5. restricted access
  1. Othello (review)
  2. Alaina E. Jobe
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/shb.2007.0028
  5. restricted access
  1. King Lear (review)
  2. Scott Magelssen
  3. pp. 91-94
  4. DOI: https://doi.org/10.1353/shb.2007.0033
  5. restricted access
  1. King Lear (review)
  2. Sarah Neville
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/shb.2007.0037
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  1. As You Like It, and: Macbeth, and: The Tempest, and: Othello (review)
  2. Paul Menzer
  3. pp. 99-109
  4. DOI: https://doi.org/10.1353/shb.2007.0035
  5. restricted access

Book Review

  1. A Companion to Shakespeare and Performance (review)
  2. Sarah Werner
  3. pp. 111-115
  4. DOI: https://doi.org/10.1353/shb.2007.0041
  5. restricted access