In this Issue

Table of Contents

The Ancien Régime and Fetishistic Politics in The Nigger of the "Narcissus"

Stephen Ross
pp. 3-16
DOI: https://doi.org/10.1353/cnd.2007.0009
free access

The Voice of Comedy in Conrad's Typhoon and Primo Levi's The Monkey's Wrench

Debra Romanick Baldwin
pp. 17-28
DOI: https://doi.org/10.1353/cnd.2007.0001
free access

"Whirr" is King: International Capital and the Paradox of Consciousness in Typhoon

Nels C. Pearson
pp. 29-37
DOI: https://doi.org/10.1353/cnd.2007.0008
free access

Journey's End: Conrad as Revenant in Alex Garland's The Beach

Roger Bowen
pp. 39-57
DOI: https://doi.org/10.1353/cnd.2007.0002
free access

Postcolonial Studies, A Materialist Critique (review)

Amar Acheraïou
pp. 59-67
DOI: https://doi.org/10.1353/cnd.2007.0000
free access

Conrad: Eastern and Western Perspectives: Volume XIII. A Return to the Roots: Conrad, Poland and East-Central Europe (review)

John Crompton
pp. 69-76
DOI: https://doi.org/10.1353/cnd.2007.0004
free access

Joseph Conrad and Popular Culture (review)

Linda Dryden
pp. 77-81
DOI: https://doi.org/10.1353/cnd.2007.0005
free access

Joseph Conrad's "Heart of Darkness": A Casebook (review)

Nic Panagopoulos
pp. 83-85
DOI: https://doi.org/10.1353/cnd.2007.0007
free access

Conrad and Masculinity (review)

Wallace Steadman Watson
pp. 87-91
DOI: https://doi.org/10.1353/cnd.2007.0010
free access

Introduction

Carola M. Kaplan, Andrea White
pp. 1-2
DOI: https://doi.org/10.1353/cnd.2007.0006
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Notes on Contributors

pp. 93-94
DOI: https://doi.org/10.1353/cnd.2007.0003
free access