1. The Ancien Régime and Fetishistic Politics in The Nigger of the "Narcissus"
  2. Stephen Ross
  3. pp. 3-16
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  1. The Voice of Comedy in Conrad's Typhoon and Primo Levi's The Monkey's Wrench
  2. Debra Romanick Baldwin
  3. pp. 17-28
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  1. "Whirr" is King: International Capital and the Paradox of Consciousness in Typhoon
  2. Nels C. Pearson
  3. pp. 29-37
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  1. Journey's End: Conrad as Revenant in Alex Garland's The Beach
  2. Roger Bowen
  3. pp. 39-57
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  1. Postcolonial Studies, A Materialist Critique (review)
  2. Amar Acheraïou
  3. pp. 59-67
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  1. Conrad: Eastern and Western Perspectives: Volume XIII. A Return to the Roots: Conrad, Poland and East-Central Europe (review)
  2. John Crompton
  3. pp. 69-76
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  1. Joseph Conrad and Popular Culture (review)
  2. Linda Dryden
  3. pp. 77-81
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  1. Joseph Conrad's "Heart of Darkness": A Casebook (review)
  2. Nic Panagopoulos
  3. pp. 83-85
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  1. Conrad and Masculinity (review)
  2. Wallace Steadman Watson
  3. pp. 87-91
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  1. Introduction
  2. Carola M. Kaplan, Andrea White
  3. pp. 1-2
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  1. Notes on Contributors
  2. pp. 93-94
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