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Table of Contents

  1. Editorial
  2. Tita Chico
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/ecy.2007.0001
  5. restricted access
  1. "good cursed, bouncing losses": Masculinity, Sentimental Irony, and Exuberance in Tristram Shandy
  2. James Kim
  3. pp. 3-24
  4. DOI: https://doi.org/10.1353/ecy.2007.0003
  5. restricted access
  1. Abolition Poetry, National Identity, and Religion: The Case of Peter Newby's The Wrongs of Almoona
  2. Michael Tomko
  3. pp. 25-43
  4. DOI: https://doi.org/10.1353/ecy.2007.0005
  5. restricted access
  1. Samuel Johnson and the Aesthetics of Complex Dynamics
  2. Mark E. Wildermuth
  3. pp. 45-60
  4. DOI: https://doi.org/10.1353/ecy.2007.0006
  5. restricted access
  1. Enlightened Narratives and Imperial Rivalry in Bourbon Spain: The Case of Almodóvar's Historia Política De Los Establecimientos Ultramarinos De Las Naciones Europeas (1784-1790)
  2. Gabriel B. Paquette
  3. pp. 61-80
  4. DOI: https://doi.org/10.1353/ecy.2007.0004
  5. restricted access
  1. "Give Me Not Poverty, Lest I Steal"
  2. Paula R. Backscheider
  3. pp. 81-85
  4. DOI: https://doi.org/10.1353/ecy.2007.0000
  5. restricted access
  1. Why Poetry?
  2. Jennifer Keith
  3. pp. 87-91
  4. DOI: https://doi.org/10.1353/ecy.2007.0002
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  1. Notes on Contributors
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/ecy.2007.0007
  5. restricted access