1. A Politics of the Body: José Antonio Primo de Rivera's Fascism and Federico García Lorca's Benjaminian Response
  2. Lisa Nolan
  3. pp. 1-24
  4. DOI: 10.1353/mdr.2007.0022
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  1. Irma the Deuce: Genet's The Balcony and Some Problems of Bisexuality
  2. James Waller
  3. pp. 25-35
  4. DOI: 10.1353/mdr.2007.0028
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  1. Uncloseting Drama: Gertrude Stein and the Wooster Group
  2. Nick Salvato
  3. pp. 36-59
  4. DOI: 10.1353/mdr.2007.0024
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  1. ''God's in This Apple'': Eating and Spirituality in Churchill's Light Shining in Buckinghamshire
  2. Stephanie Pocock
  3. pp. 60-76
  4. DOI: 10.1353/mdr.2007.0023
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  1. The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog
  2. Myka Tucker-Abramson
  3. pp. 77-97
  4. DOI: 10.1353/mdr.2007.0027
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  1. A Boal Companion: Dialogues on Theatre and Cultural Politics (review)
  2. David Watt
  3. pp. 98-102
  4. DOI: 10.1353/mdr.2007.0029
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  1. Feminist Futures? Theatre, Performance, Theory (review)
  2. Erin Striff
  3. pp. 103-105
  4. DOI: 10.1353/mdr.2007.0026
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  1. Tony Kushner: New Essays on the Art and Politics of the Plays (review)
  2. Philip C. Kolin
  3. pp. 105-109
  4. DOI: 10.1353/mdr.2007.0021
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  1. The Cambridge Companion to Edward Albee (review)
  2. Norma Margaret Jenckes
  3. pp. 109-111
  4. DOI: 10.1353/mdr.2007.0020
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  1. Understanding Adrienne Kennedy (review)
  2. Erin Hurley
  3. pp. 111-114
  4. DOI: 10.1353/mdr.2007.0019
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  1. Harold Pinter and the Twilight of Modernism (review)
  2. Mireia Aragay
  3. pp. 114-117
  4. DOI: 10.1353/mdr.2007.0016
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  1. The Censorship of British Drama, Vol. 2: 1933-1952 (review)
  2. Lee White
  3. pp. 117-120
  4. DOI: 10.1353/mdr.2007.0030
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  1. Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)
  2. Kim Solga
  3. pp. 120-122
  4. DOI: 10.1353/mdr.2007.0025
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  1. Contemporary Theatres in Europe: A Critical Companion (review)
  2. Julia Dobson
  3. pp. 122-124
  4. DOI: 10.1353/mdr.2007.0018
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  1. Contributors
  2. p. 125
  3. DOI: 10.1353/mdr.2007.0017
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