1. Alien of Extraordinary Ability
  2. Natsu Onoda
  3. pp. 2-3
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  1. TDR Comment: Of Sugarcoating and Hope
  2. Laura Edmondson
  3. pp. 7-10
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  1. The Theatre of Krishen Jit: The Politics of Staging Difference in Multicultural Malaysia
  2. Charlene Rajendran, C. J. Wan-ling Wee
  3. pp. 11-23
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  1. Springtime for Kim Il-sung in Pyongyang: City On Stage, City As Stage
  2. Suk-Young Kim
  3. pp. 24-40
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  1. Bohemianism, the Cultural Turn of the Avantgarde, and Forgetting the Roma
  2. Mike Sell
  3. pp. 41-59
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  1. Intercultural Expectations: I La Galigo in Singapore
  2. Jennifer Lindsay
  3. pp. 60-75
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  1. Letting It All Hang Out: Mardi Gras Performances Live and on Video
  2. Vicki Mayer
  3. pp. 76-93
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  1. José Triana: An Interview
  2. Ricard Salvat, José Triana, Joanne Pottlitzer
  3. pp. 94-118
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  1. Choreography as Apparatus of Capture
  2. André Lepecki
  3. pp. 119-123
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  1. Scène and Contemporaneity
  2. Frédéric Pouillaude, Noémie Solomon
  3. pp. 124-135
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  1. Stroboscopic Stutter: on the not-yet-captured ontological condition of limit-attractions
  2. Paula Caspão
  3. pp. 136-156
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  1. Deborah Hay's O, O
  2. Danielle Goldman
  3. pp. 157-170
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  1. Interview
  2. Danielle Goldman, Deborah Hay
  3. pp. 158-168
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  1. O, O: excerpt from the score
  2. Deborah Hay
  3. p. 163
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  1. Gut Feeling: Thomas Hirschhorn's Superficial Engagement
  2. James Westcott
  3. pp. 171-175
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  1. The Anatomy of Blasphemy: Passion and the Trial of Dorota Nieznalska
  2. Magda Romanska
  3. pp. 176-181
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  1. On the Stages of Istanbul: Atatürk and the New Young Turks
  2. Ilka Saal
  3. pp. 181-186
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  1. Women, Modernism, and Performance (review)
  2. Sarah Bay-Cheng
  3. pp. 187-188
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  1. Understanding Adrienne Kennedy (review)
  2. Gabrielle H. Cody
  3. pp. 189-191
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  1. Susan Glaspell: Her Life and Times (review)
  2. Judith E. Barlow
  3. pp. 191-192
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  1. The Theater of Transformation: Postmodernism in American Drama, and: Expressionism and Modernism in the Modern Theatre: Bodies, Voices, Words (review)
  2. Anthony Kubiak
  3. pp. 192-194
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  1. Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan (review)
  2. Samuel L. Leiter
  3. pp. 195-196
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  1. Modern Japanese Theatre and Performance (review)
  2. Richard Schechner
  3. pp. 196-197
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  1. Archaeology of Performance (review)
  2. Richard Schechner
  3. p. 197
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