1. New Horizons Award for Innovation in New Media
  2. Barbara Lee Williams
  3. pp. 177-178
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  1. Scream
  2. Gregory Barsamian
  3. p. 179
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  1. Uncomfortable Proximity
  2. Graham Harwood
  3. p. 180
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  1. Great Web Crash
  2. Bruno Beusch, Tina Cassani
  3. p. 181
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  1. Amazing Amazon
  2. Jose Wagner Garcia
  3. p. 182
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  1. Piano--As Image Media
  2. Toshio Iwai
  3. p. 183
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  1. Creative Gene Harvest Archive
  2. Tran T. Kim-Trang, Karl Mihail
  3. p. 184
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  1. Carrier
  2. Melinda Rackham
  3. p. 185
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  1. Architecture du Paradis
  2. Marie Sester
  3. p. 186
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  1. 0.html
  2. Igor Stromajer
  3. p. 187
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  1. Two, Three, Many Guevaras
  2. Fabian Wagmister
  3. p. 188
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  1. Sculpting Ionized Plasma
  2. Jean-Louis Lhermitte
  3. pp. 189-195
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  1. Rotating the Impossible Rectangle
  2. Chih W. Khoh, Peter Kovesi
  3. pp. 197-198
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  1. Tele-Spatial Research
  2. Chris Speed
  3. p. 198
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  1. Color Plate Insert
  2. pp. 199-200
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  1. Visions Shared: A Firsthand Look into Synesthesia and Art
  2. Carol Steen
  3. pp. 203-208
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  1. The Touch through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avant-Garde
  2. Ina Blom
  3. pp. 209-215
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  1. Machine Head: Raoul Hausmann and the Optophone
  2. Jacques Donguy
  3. pp. 217-220
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  1. Does Lara Croft Wear Fake Polygons? Gender and Gender-Role Subversion in Computer Adventure Games
  2. Anne-Marie Schleiner
  3. pp. 221-226
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  1. Greek Origami: A Sculpture Exploring the Golden Ratio
  2. Adam Storeygard
  3. pp. 227-229
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  1. Leonardo da Vinci's Struggles with Representations of Reality
  2. Nicholas Wade, Hiroshi Ono, Linda Lillakas
  3. pp. 231-235
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  1. Living Melodies: Coevolution of Sonic Communication
  2. Palle Dahlstedt, Mats G. Nordahl
  3. pp. 243-248
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  1. Iterated Nonlinear Functions as a Sound-Generating Engine
  2. Agostino Di Scipio
  3. pp. 249-254
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  1. The Language of Iconica
  2. Troy Innocent
  3. pp. 255-259
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  1. New Media Dictionary
  2. Louise Poissant, Lou Nelson
  3. pp. 261-264
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  1. Commentaries
  2. pp. 265-267
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  1. Client-Side Distributed Denial-of-Service: Valid Campaign Tactic or Terrorist Act?
  2. Electrohippies Collective. DJNZ and the Action Tool Development Group
  3. pp. 269-274
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  1. Leonardo Web Resources
  2. pp. 275-276
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  1. Noise, Water, Meat: A History of Sound in the Arts (review)
  2. Yvonne Spielmann
  3. pp. 277-279
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  1. The Tulip (review)
  2. George Gessert
  3. pp. 279-280
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  1. Turn-Of-The-Century Viennese Patterns and Designs (review)
  2. Roy R. Behrens
  3. p. 280
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  1. Fonts and Logos: Font Analysis, Logotype Design, Typography, Type Comparison, and History (review)
  2. Roy R. Behrens
  3. p. 280
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  1. The Swastika: Symbol Beyond Redemption (review)
  2. Roy R. Behrens
  3. p. 280
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  1. Ereia (review)
  2. Curtis Bahn
  3. pp. 280-281
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  1. The Hyperstring Project (review)
  2. Curtis Bahn
  3. pp. 281-282
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  1. La Musique Electroacoustique (review)
  2. Rahma Khazam
  3. p. 282
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  1. Distant Shores: The Odyssey of Rockwell Kent (review)
  2. Roy R. Behrens
  3. pp. 282-283
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  1. Ruskin's Journey: Teaching People To See (review)
  2. Roy R. Behrens
  3. p. 283
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  1. Topsy: William Morris (review)
  2. Roy R. Behrens
  3. p. 283
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  1. The Multi-Track Evolution of Mind
  2. Piero Scaruffi
  3. pp. 290-291
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  1. Introduction: First Iteration--A Conference on Generative Systems in the Electronic Arts
  2. Alan Dorin, Jon McCormack
  3. pp. 239-242
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  1. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics (review)
  2. Paul Hertz
  3. p. 279
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  1. Materials Received
  2. pp. 283-284
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