1. Retrospection and Prophecy in the Structure of Mad Love
  2. Roger Bellin
  3. pp. 1-16
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  1. The Dialectic of Electricity: Kenneth Fearing, Walter Benjamin, and a Marxist Aesthetic
  2. Nathaniel Mills
  3. pp. 17-41
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  1. William Carlos Williams and the Politics of Form
  2. Carla Billitteri
  3. pp. 42-63
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  1. Reframing Charles Williams: Modernist Doubt and the Crisis of World War in All Hallows' Eve
  2. Ashley Marshall
  3. pp. 64-85
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  1. The Familiar Attractions of Fascism in Muriel Spark's The Prime of Miss Jean Brodie
  2. Judy Suh
  3. pp. 86-102
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  1. Spinsters, Surveillance, and Speech: The Case of Miss Marple, Miss Mole, and Miss Jekyll
  2. Kathy Mezei
  3. pp. 103-120
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  1. Dubliners' IOU: The Aesthetics of Exchange in "After the Race" and "Two Gallants"
  2. Carey Mickalites
  3. pp. 121-138
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  1. Creative Destruction in Finnegans Wake: the Rise and Fall of the Modern City
  2. Roy Benjamin
  3. pp. 139-150
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  1. Myth Turned Monument: Documenting the Historical Imaginary in Buenos Aires and Beyond
  2. Karen Bishop
  3. pp. 151-162
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  1. Imperfect Mastery: The Failure of Grammar in Beckett's L'Innommable
  2. Juliette Taylor-Batty
  3. pp. 163-179
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  1. In One Ear and Out the Others: Beckett. . . . Mahon. Muldoon
  2. Adrienne Janus
  3. pp. 180-196
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  1. Disseminating the Break: The Poetics of Catastrophic Modernity
  2. Libbie Rifkin
  3. pp. 197-203
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  1. Becoming and Joyce: Emergent Shifts in Literary Criticism
  2. Barbara Cole
  3. pp. 204-209
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  1. Unpacking Ritual
  2. Jean-Michel Rabaté
  3. pp. 210-212
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  1. Editor's Introduction
  2. Jean-Michel Rabaté
  3. pp. v-vii
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  1. Contributors
  2. pp. 213-215
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