In this Issue

Table of Contents

Robert Pindar, Thomas Busby, and the Mysterious Scoring of Henry Purcell's 'Come Ye Sons of Art'

Rebecca Herissone
pp. 1-48
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The Composer as Dramatist: Handel's Contribution to the Libretto of 'Rodelinda'

Andrew V. Jones
pp. 49-77
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'The Artist in Love' in Brahms's Life and in his 'German Folksongs'

John MacAuslan
pp. 78-106
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Colonialism, Philology, and Musical Ethnography in Nineteenth-Century India: The Case of S. W. Fallon

Gerry Farrell, Neil Sorrell
pp. 107-120
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Impossible Reconciliations (Barely Heard)

James Robert Currie
pp. 121-133
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Roots of the Classical: The Popular Origins of Western Music (review)

Richard Taruskin
pp. 134-139
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Messiaen (review)

Arnold Whittall
pp. 139-141
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Hearing Bach's Passions (review)

Alan Howard
pp. 141-144
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Fromental Halévy, La Magicienne—dossier de presse parisienne (1858), and: Michele Carafa, Le solitaire—dossier de presse parisienne (1822) (review)

Mark Everist
pp. 144-148
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The Diaries of Giacomo Meyerbeer, iv: 1857-1864 (review)

Mark Everist
pp. 148-151
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Luca Marenzio: The Career of a Musician between the Renaissance and the Counter-Reformation (review)

Melanie Marshall
pp. 151-153
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The Figure of Music in Nineteenth-Century British Poetry (review)

Frank O'Gorman
pp. 153-155
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Willem de Fesch: 'An excellent musician and a worthy man' (review)

H. Diack Johnstone
pp. 155-156
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Alltag und Künstlertum: Clara Schumann und ihre Dresdner Freundinnen Marie von Lindeman und Emilie Steffens: Erinnerungen und Briefe (review)

Nancy B. Reich
pp. 156-158
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Vincenzo Bellini nel secondo centenario della nascita. Atti del Convegno internazionale (Catania, 8-11 novembre 2001) (review)

Roberta Montemorra Marvin
pp. 158-160
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Ibbs and Tillett: The Rise and Fall of a Musical Empire (review)

Benjamin Wolf
pp. 160-163
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Schö̈pfer und Zerstörer: Richard Wagner als Kü̈nstler (review)

Nicholas Vazsonyi
pp. 163-166
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An Annotated Catalogue of the Music Manuscripts in the Folger Shakespeare Library, Washington, D.C. (review)

Andrew Ashbee
pp. 166-167
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The Characteristic Symphony in the Age of Haydn and Beethoven (review)

Michael Spitzer
pp. 167-169
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Gaetano Donizetti—Moment und Prozess: Studien zur musikalischen Dramaturgie (review)

Gundula Katharina Kreuzer
pp. 169-171
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Composers in the Movies: Studies in Musical Biography (review)

Marcia J. Citron
pp. 171-175
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Thomas Tomkins: The Last Elizabethan (review)

John Morehen
pp. 175-176
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Gerald Finzi: His Life and Music (review)

Byron Adams
pp. 176-181
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Irving Fine: An American Composer in his Time (review)

Peter Dickinson
pp. 181-182
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I Conservatori di musica durante il fascismo: La riforma del 1930. Storia e documenti (review)

Ben Earle
pp. 182-186
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Identity and the Arts in Diaspora Communities (review)

Philip Vilas Bohlman
pp. 186-188
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Danny Elfman's Batman: A Film Score Guide (review)

Giorgio Biancorosso
pp. 188-190
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The Craft of Piano Playing: A New Approach to Piano Technique (review)

Robert K. Sholl
pp. 190-192
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Correspondence

John Harley, William Kinderman
pp. 193-194
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Recipients of 'Music Letters' Awards

p. 194
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Authors of Articles in this Issue

pp. 196-197
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Books Received

pp. 198-199
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