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Table of Contents

  1. Selling Jewels: Modernist Commodification and Disappearance as Style
  2. Enda Duffy, Maurizia Boscagli
  3. pp. 189-207
  4. DOI: https://doi.org/10.1353/mod.2007.0031
  5. restricted access
  1. #$%^&*!?: Modernism and Dirty Words
  2. Loren Daniel Glass
  3. pp. 209-223
  4. DOI: https://doi.org/10.1353/mod.2007.0035
  5. restricted access
  1. The Heart Machine: "Rhythm" and Body in Weimar Film and Fritz Lang's Metropolis
  2. Michael Cowan
  3. pp. 225-248
  4. DOI: https://doi.org/10.1353/mod.2007.0030
  5. restricted access
  1. The Game of Meaning: Collage, Montage, and Parody in Kurt Schwitters' Merz
  2. Patrizia C. McBride
  3. pp. 249-272
  4. DOI: https://doi.org/10.1353/mod.2007.0043
  5. restricted access
  1. Peter Weiss and the Exilic Body
  2. Richard Langston
  3. pp. 273-290
  4. DOI: https://doi.org/10.1353/mod.2007.0041
  5. restricted access
  1. Prague meets Paris: the Reception and Representation of the "Eiffelka"
  2. Martha Kuhlman
  3. pp. 291-308
  4. DOI: https://doi.org/10.1353/mod.2007.0040
  5. restricted access
  1. "A thing so small": The Nature of Meter in Robert Frost's "Design"
  2. James Murphy
  3. pp. 309-328
  4. DOI: https://doi.org/10.1353/mod.2007.0044
  5. restricted access
  1. John Dos Passos in Mexico
  2. Rubén Gallo
  3. pp. 329-345
  4. DOI: https://doi.org/10.1353/mod.2007.0034
  5. restricted access
  1. Archives of Modernist Cinephilia
  2. Justus Nieland
  3. pp. 347-355
  4. DOI: https://doi.org/10.1353/mod.2007.0045
  5. restricted access
  1. A Mirror in the Roadway: Literature and the Real World (review)
  2. Janine Utell
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/mod.2007.0048
  5. restricted access
  1. Touch and Intimacy in First World War Literature (review)
  2. Ariela Freedman
  3. pp. 362-363
  4. DOI: https://doi.org/10.1353/mod.2007.0033
  5. restricted access
  1. Bad Modernisms (review)
  2. Eric Hayot
  3. pp. 364-365
  4. DOI: https://doi.org/10.1353/mod.2007.0037
  5. restricted access
  1. The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H.D., and Yeats (review)
  2. Brian Reed
  3. pp. 365-367
  4. DOI: https://doi.org/10.1353/mod.2007.0047
  5. restricted access
  1. The Marriage Paradox: Modernist Novels and the Cultural Imperative to Marry (review)
  2. Victor Luftig
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/mod.2007.0042
  5. restricted access
  1. British Poetry in the Age of Modernism (review)
  2. Steven Woodward
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/mod.2007.0049
  5. restricted access
  1. Split-Gut Song: Jean Toomer and the Poetics of Modernity (review)
  2. Matthew Hofer
  3. pp. 373-375
  4. DOI: https://doi.org/10.1353/mod.2007.0039
  5. restricted access
  1. Scouting for Boys: The Original 1908 Edition, and: Zane Grey: His Life, His Adventures, His Women (review)
  2. Christopher Breu
  3. pp. 375-378
  4. DOI: https://doi.org/10.1353/mod.2007.0029
  5. restricted access
  1. Sex after Fascism: Memory and Morality in Twentieth-Century Germany (review)
  2. Michael Hau
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/mod.2007.0036
  5. restricted access
  1. Surrealism and the Politics of Eros, 1938-1968 (review)
  2. Clark V. Poling
  3. pp. 380-382
  4. DOI: https://doi.org/10.1353/mod.2007.0046
  5. restricted access
  1. The Pivot of the World: Photography and Its Nation (review)
  2. Nancy Armstrong
  3. pp. 382-384
  4. DOI: https://doi.org/10.1353/mod.2007.0027
  5. restricted access
  1. The Tears of Things: Melancholy and Physical Objects (review)
  2. Brad Evans
  3. pp. 384-386
  4. DOI: https://doi.org/10.1353/mod.2007.0032
  5. restricted access
  1. Recent Books of Interest
  2. pp. 387-388
  3. DOI: https://doi.org/10.1353/mod.2007.0028
  4. restricted access