In this Issue
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 35, Number 1, February 2007Table of Contents
- Editorial
- pp. 128-129
Performing Matters
Book Reviews
- Wars on music
- pp. 113-115
- Reading between the lines
- pp. 115-116
- Rameau at Fontainebleau
- pp. 116-118
- Probing Bach's world
- pp. 118-120
- Concierto barroco
- pp. 120-122
- Analysing Haydn's quartets
- pp. 122-125
- Haydn: light and shade
- pp. 125-127
- Music machines
- pp. 128-129
Music Reviews
- Sonatas before and after Corelli
- pp. 131-132
- Hamburg town dances
- pp. 132-134
- Hands-off Charpentier
- pp. 134-135
Recording Reviews
- Music from the Middle Ages
- pp. 137-139
- After Josquin
- pp. 139-141
- Early keyboard music
- pp. 144-146
- German Baroque
- pp. 148-150
- Bach cantatas: from Suzuki and Kuijken
- pp. 151-152
- French anthologies
- pp. 153-154
- Emanuel Bach and Michael Haydn
- pp. 154-156
Reports
- Cantus planus then and now
- pp. 159-161
- Touring Italy
- pp. 161-162
- Musical iconography in Ravenna
- pp. 163-164
Correspondence
- Clefs high and low
- p. 166
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Copyright © 2007 The Authors and Oxford University Press.