1. King penguin
  2. Francis Knights
  3. p. 1
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  1. Black guitar-players and early African-Iberian music in Portugal and Brazil
  2. Rogério Budasz
  3. pp. 3-21
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  1. The sources and origin of the 'Agincourt Carol'
  2. Helen Deeming
  3. pp. 23-36
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  1. That satyrical tune of 'Amarillis'
  2. Harold Love
  3. pp. 39-46
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  1. Bridge location on the early Italian violin
  2. Greg Dean Petersen
  3. pp. 49-64
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  1. 'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances
  2. Alexandra Williams
  3. pp. 67-80
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  1. Two Spanish brothers revisitied: recent research surrounding the life and instrumental music of Juan Bautista Pla and José Pla
  2. Matthew Haakenson
  3. pp. 83-94
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  1. The tenor-castrato connection, 1760-1860
  2. John, tenor Potter
  3. pp. 97-110
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  1. Wars on music
  2. Theodor Dumitrescu
  3. pp. 113-115
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  1. Reading between the lines
  2. Robert Quinney
  3. pp. 115-116
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  1. Rameau at Fontainebleau
  2. David Charlton
  3. pp. 116-118
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  1. Probing Bach's world
  2. Stephen Rose
  3. pp. 118-120
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  1. Concierto barroco
  2. Alvaro Torrente
  3. pp. 120-122
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  1. Analysing Haydn's quartets
  2. Danuta Mirka
  3. pp. 122-125
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  1. Haydn: light and shade
  2. W. Dean Sutcliffe
  3. pp. 125-127
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  1. Music machines
  2. Beverly Jerold
  3. pp. 128-129
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  1. Editorial
  2. Tess Knighton
  3. pp. 128-129
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  1. Sonatas before and after Corelli
  2. Tassilo Erhardt
  3. pp. 131-132
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  1. Hamburg town dances
  2. Michael Robertson
  3. pp. 132-134
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  1. Hands-off Charpentier
  2. Graham Sadler
  3. pp. 134-135
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  1. Music from the Middle Ages
  2. Ivan Moody
  3. pp. 137-139
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  1. After Josquin
  2. David Trendell
  3. pp. 139-141
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  1. Adventures and enchantments: new interpretations of Hispanic music
  2. Bernadette Nelson
  3. pp. 141-144
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  1. Early keyboard music
  2. Derek Adlam
  3. pp. 144-146
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  1. Renewing 'the expressive traditions of early music' on viols
  2. Lucy, viol player Robinson
  3. pp. 146-147
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  1. German Baroque
  2. Peter Holman
  3. pp. 148-150
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  1. Bach cantatas: from Suzuki and Kuijken
  2. Eric Cross
  3. pp. 151-152
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  1. French anthologies
  2. Graham Sadler
  3. pp. 153-154
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  1. Emanuel Bach and Michael Haydn
  2. Peter Branscombe
  3. pp. 154-156
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  1. Cantus planus then and now
  2. Barbara Helen Haggh
  3. pp. 159-161
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  1. Touring Italy
  2. Jose Maria Dominguez, Tess Knighton
  3. pp. 161-162
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  1. Musical iconography in Ravenna
  2. Dinko Fabris
  3. pp. 163-164
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  1. Clangor tubarum: a response to Peter Downey
  2. Robert Rawson
  3. p. 165
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  1. Clefs high and low
  2. Jeffrey G. Kurtzman
  3. p. 166
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