1. "Treblinka, A Rather Musical Word": Carole Maso's Post-Holocaust Narrative
  2. Robin Silbergleid
  3. pp. 1-26
  4. DOI: 10.1353/mfs.2007.0033
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  1. Blood and Soil in Anne Michaels's Fugitive Pieces: The Pastoral in Holocaust Literature
  2. Donna Coffey
  3. pp. 27-49
  4. DOI: 10.1353/mfs.2007.0020
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  1. Making Modern Parents in Ernest Hemingway's "Hills Like White Elephants" and Viña Delmar's Bad Girl
  2. Meg Gillette
  3. pp. 50-69
  4. DOI: 10.1353/mfs.2007.0023
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  1. Memory, Memorialization, and the Transformation of Johannesburg: Ivan Vladislavić's The Restless Supermarket and Propaganda by Monuments
  2. Shane Graham
  3. pp. 70-97
  4. DOI: 10.1353/mfs.2007.0024
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  1. Zulfikar Ghose's The Triple Mirror of the Self and Cosmopolitan Authentication
  2. Sarah Brouillette
  3. pp. 97-119
  4. DOI: 10.1353/mfs.2007.0017
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  1. Alice Randall's The Wind Done Gone and the Ludic in African American Historical Fiction
  2. Thomas F. Haddox
  3. pp. 120-139
  4. DOI: 10.1353/mfs.2007.0025
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  1. From Virtue to Virtual: DeLillo's Cosmopolis and the Corruption of the Absent Body
  2. Russell Scott Valentino
  3. pp. 140-162
  4. DOI: 10.1353/mfs.2007.0035
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  1. New Millennial Joyce
  2. Gregory Castle
  3. pp. 163-173
  4. DOI: 10.1353/mfs.2007.0019
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  1. Revisiting the Catholic Literary Imagination
  2. Douglas Robillard
  3. pp. 174-182
  4. DOI: 10.1353/mfs.2007.0029
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  1. Dark Eyes on America: The Novels of Joyce Carol Oates (review)
  2. Susana Inés Araujo
  3. pp. 185-188
  4. DOI: 10.1353/mfs.2007.0015
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  1. "In the Light of Likeness—Transformed": The Literary Art of Leon Forrest (review)
  2. Keith Eldon Byerman
  3. pp. 188-190
  4. DOI: 10.1353/mfs.2007.0018
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  1. Rabbit (Un)Redeemed: The Drama of Belief in John Updike's Fiction (review)
  2. Marshall Boswell
  3. pp. 191-194
  4. DOI: 10.1353/mfs.2007.0016
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  1. After Utopia: The Rise of Critical Space in Twentieth-Century American Fiction (review)
  2. Jeffrey Karnicky
  3. pp. 194-196
  4. DOI: 10.1353/mfs.2007.0027
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  1. Worlding Forster: The Passage from Pastoral (review)
  2. Michael Lackey
  3. pp. 197-200
  4. DOI: 10.1353/mfs.2007.0028
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  1. The Modernist Novel and the Decline of Empire (review)
  2. Stephen Ross
  3. pp. 200-205
  4. DOI: 10.1353/mfs.2007.0030
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  1. Beckett after Beckett (review)
  2. Paul Shields
  3. pp. 205-208
  4. DOI: 10.1353/mfs.2007.0032
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  1. Territories of the Psyche: the Fiction of Jean Rhys (review)
  2. John J. Su
  3. pp. 208-210
  4. DOI: 10.1353/mfs.2007.0034
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  1. Taboo Subjects: Race, Sex, and Psychoanalysis (review)
  2. Doreen Fowler
  3. pp. 211-214
  4. DOI: 10.1353/mfs.2007.0022
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  1. A Sense of Wonder: Samuel R. Delany, Race, Identity, and Difference (review)
  2. Gregory E. Rutledge
  3. pp. 214-218
  4. DOI: 10.1353/mfs.2007.0031
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  1. A Thousand Words: Portraiture, Style, and Queer Modernism (review)
  2. Norman W. Jones
  3. pp. 218-221
  4. DOI: 10.1353/mfs.2007.0026
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  1. Contributors
  3. pp. 222-223
  4. DOI: 10.1353/mfs.2007.0021
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