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In this Issue

Table of Contents

  1. The Perception of Climate Change
  2. Julien Knebusch
  3. p. 113
  4. restricted access

After Midnight

  1. Over-determination and Its Discontents
  2. Marcia Tanner
  3. pp. 116-117
  4. restricted access

Statements

  1. Folding Circles is Wholemovement
  2. Bradford Hansen-Smith
  3. pp. 118-119
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  1. In Memoriam: Kirill Sokolov (1930-2004)
  2. John Milner
  3. pp. 120-121
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  1. New Biological Habitats in the Biosphere and in Space
  2. Zbigniew Oksiuta
  3. p. 122
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Artist's Article

  1. Generative Systems and the Cinematic Spaces of Film and Installation Art
  2. Mike Leggett
  3. pp. 123-128
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General Articles

  1. The Generative Process, Music Composition and Games
  2. Nyssim Lefford
  3. pp. 129-135
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  1. Electronic Music for Bio-Molecules Using Short Music Phrases
  2. X. J. Shi, Y. Y. Cai, C. W. Chan
  3. pp. 137-141
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Historical Perspectives

  1. From the Avant-Garde: Re-Conceptualizing Cultural Origins in the Digital Media Art of Japan
  2. Jean M. Ippolito
  3. pp. 142-151
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Color Plates

  1. Color Plates
  2. pp. 153-160
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Theoretical Perspective

  1. Crossing Conventions in Web-Based Art: Deconstruction as a Narrative Device
  2. Christopher Robbins
  3. pp. 161-166
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Special Section: ArtScience: The Essential Connection

  1. Emerging Congruence between Animation and Anatomy
  2. Rob O'Neill
  3. pp. 167-173
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  1. A Reclusive Artist Meets Minds with a World-Famous Geometer: George Odom and H.S.M. (Donald) Coxeter
  2. Siobhan Roberts
  3. pp. 175-177
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Special Section: Documentation and Conservation of the Media Arts

  1. Special Section Introduction: Documentation and Conservation of the Media-Arts Heritage (DOCAM)
  2. Jean Gagnon, Alain Depocas
  3. pp. 179-180
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  1. The Media Art Notation System: Documenting and Preserving Digital/Media Art
  2. Richard Rinehart
  3. pp. 181-187
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From the Leonardo Archive

  1. The Cybernetic Stance: My Process and Purpose
  2. Roy Ascott
  3. pp. 188-197
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Leonardo Reviews

  1. Special Delivery, and: Group Therapy (review)
  2. Michael R. Mosher
  3. pp. 199-200
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  1. Control and Freedom: Power and Paranoia in the Age of Fiber Optics (review)
  2. Niño Mojica, Martha Patricia
  3. p. 200
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  1. The Aesthetics of Disengagement: Contemporary Art and Depression (review)
  2. Jan Baetens
  3. pp. 201-202
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  1. The Commercial and Political Atlas and Statistical Breviary (review)
  2. Stefaan van Ryssen
  3. p. 202
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  1. Feintes_doutes + fictions: Réflexions sur la photographie numérique (review)
  2. Jan Baetens
  3. pp. 202-203
  4. restricted access
  1. Media Ecologies: Materialist Energies in Art and Technoculture (review)
  2. Mike Leggett
  3. pp. 203-204
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  1. Wired for Sound: Engineering and Technologies in Sonic Cultures (review)
  2. Stefaan van Ryssen
  3. p. 204
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  1. Cuts: Texts 1959-2004 (review)
  2. Alise Piebalga
  3. pp. 204-205
  4. restricted access
  1. Perception and Illusion: Historical Perspectives (review)
  2. Amy Ione
  3. pp. 205-206
  4. restricted access
  1. Peter Tscherkassky (review)
  2. Eugene Thacker
  3. pp. 206-207
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  1. Handbook of Computer Game Studies (review)
  2. John Knight
  3. pp. 207-208
  4. restricted access
  1. Association for the Scientific Study of Consciousness, 10th Annual Conference (review)
  2. Robert Pepperell
  3. pp. 208-209
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  1. River of Time (review)
  2. Andrea Dahlberg
  3. pp. 209-210
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  1. Mademoiselle and the Doctor (review)
  2. Rob Harle
  3. pp. 210-211
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  1. Malick Sidibé: Portrait of the Artist as a Portraitist (review)
  2. Martha Blassnigg
  3. p. 211
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  1. YLEM Journal Special Issue: Science Fiction and Its Discontents (review)
  2. John F. Barber
  3. pp. 211-212
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Leonardo Reviews On-Line

  1. Leonardo Reviews On-Line
  2. pp. 212-213
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Leonardo Network News

  1. Leonardo Network News
  2. pp. 214-215
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Endnote

  1. On Theoretical Models
  2. Yona Friedman
  3. pp. 216-217
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