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Table of Contents

  1. The Soviet cinematic offensive in the Spanish Civil War
  2. Daniel Kowalsky
  3. pp. 7-19
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.7
  5. restricted access
  1. Family history, film history: Dad & the Telenews Theatre Corporation
  2. Michael Aronson, Jennifer Aronson, Nathan N. Aronson
  3. pp. 20-33
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.20
  5. restricted access
  1. An experiment in 'historically correct' Canadian photoplays: Montreal's British American Film Manufacturing Co.
  2. Louis Pelletier
  3. pp. 34-48
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.34
  5. restricted access
  1. Myth and movie making: Karl Brown and the making of Stark Love
  2. John White
  3. pp. 49-57
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.49
  5. restricted access
  1. Constructing a priest, silencing a saint: The PCA and I Confess (1953)
  2. Amy Lawrence
  3. pp. 58-72
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.58
  5. restricted access
  1. Acting with feeling: Robert Donat, the 'Emotion Chart' and The Citadel (1938)
  2. Vicky Lowe
  3. pp. 73-85
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.73
  5. restricted access
  1. Dualling for Judy: The concept of the double in the films of Kim Novak
  2. Vincent L. Barnett
  3. pp. 86-101
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.86
  5. restricted access
  1. Introduction: Chasing Reality
  2. Richard Koszarski
  3. pp. 3-4
  4. DOI: https://doi.org/10.2979/fil.2007.19.1.3
  5. restricted access