Volume 24, Number 1, Spring 2007

Table of Contents

From: Asian Theatre Journal

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From the Editors

pp. v-ix
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Play

Suehirogari (The Fan of Felicity)

pp. 1-18
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Shimizu (Spring Water): Translating Shimizu for a Western Audience

pp. 19-33
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Sakon Zaburō (Sakon Zaburō, the Hunter)

pp. 34-49
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Chakagi Zatō (The Tea Sniffing Blind Men)

pp. 50-60
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Mikazuki (Winnowing Love)

pp. 61-73
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Oko Sako (Oko and Sako): Wawashii Woman in the Kyōgen Oka and Sako

pp. 74-86
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Susugigawa (The Washing River): An Instant Classic

pp. 87-104
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Ana (Hole): A Modern Kyōgen Play

pp. 105-123
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Japannequins : A New Bilingual Kyōgen Based on the Traditional Kyōgen Roku Jizō ( Six Jizō)

pp. 124-143
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Article

Kyōgen in the Postwar Era

pp. 144-177
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Interviews

Trapping The Fox and the Trapper : Maruishi Yasushi's Challenging Debut

pp. 178-196
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Tradition in Transition: The Shigeyama Chūzaburō Kyōgen Family Looks to the Future

pp. 197-210
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Bibliography

Kyōgen in English: A Bibliography

pp. 211-234
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Reports

Authenticity and Accessibility: Two Decades of Translating and Adapting Kyōgen Plays for English and Bilingual Student Performances

pp. 235-246
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Theatre of Yugen's Direction of Kyōgen in English and Kyōgen Fusion Plays

pp. 247-261
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Muromachi Musicals: Resetting Kyōgen in a Modern Medium

pp. 262-268
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A Set of Kyōgen Adaptations: Henry Livings's Pongo Plays

pp. 269-277
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Performance Reviews

The Drunkard's Revenge, and: Love's Labor (review)

pp. 278-284
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The Kyōgen of Errors (review)

pp. 294-296
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Media Review

In a Thicket (review)

pp. 287-290
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Book Reviews

A Guide to the Japanese Stage: From Traditional to Cutting Edge (review)

pp. 291-293
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Shakespeare in Japan (review)

pp. 293-297
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Developing Zeami: The Noh Actor's Attunement in Practice (review)

pp. 297-299
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Theatre of Yugen, 25 Years: A Retrospective (review)

pp. 299-301
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Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)

pp. 301-304
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Between Tongues: Translation and/of/in Performance in Asia (review)

pp. 304-307
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Color Insert

Color Insert Plates

pp. 1-2
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