In this Issue

Table of Contents

From the Editors

Kathy Foley, Julie Iezzi, Jonah Salz
pp. v-ix
DOI: https://doi.org/10.1353/atj.2007.0006
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Play

Suehirogari (The Fan of Felicity)

Andrew Takahisa Tsubaki
pp. 1-18
DOI: https://doi.org/10.1353/atj.2007.0026
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Shimizu (Spring Water): Translating Shimizu for a Western Audience

Yuriko Doi, Lluis Valls, Jubilith Moore
pp. 19-33
DOI: https://doi.org/10.1353/atj.2007.0004
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Sakon Zaburō (Sakon Zaburō, the Hunter)

Micah Auerback
pp. 34-49
DOI: https://doi.org/10.1353/atj.2007.0000
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Chakagi Zatō (The Tea Sniffing Blind Men)

Carolyn Ann Morley
pp. 50-60
DOI: https://doi.org/10.1353/atj.2007.0019
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Mikazuki (Winnowing Love)

Jonah Salz
pp. 61-73
DOI: https://doi.org/10.1353/atj.2007.0021
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Oko Sako (Oko and Sako): Wawashii Woman in the Kyōgen Oka and Sako

Minae Yamamoto Savas
pp. 74-86
DOI: https://doi.org/10.1353/atj.2007.0023
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Susugigawa (The Washing River): An Instant Classic

Julie Iezzi, Jonah Salz
pp. 87-104
DOI: https://doi.org/10.1353/atj.2007.0013
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Ana (Hole): A Modern Kyōgen Play

Asaya Fujita, Yukihiro Goto
pp. 105-123
DOI: https://doi.org/10.1353/atj.2007.0008
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Japannequins : A New Bilingual Kyōgen Based on the Traditional Kyōgen Roku Jizō ( Six Jizō)

Osada Sadao, Jonah Salz
pp. 124-143
DOI: https://doi.org/10.1353/atj.2007.0020
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Article

Kyōgen in the Postwar Era

Seki Kobayashi, Shinko Kagaya
pp. 144-177
DOI: https://doi.org/10.1353/atj.2007.0015
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Interviews

Trapping The Fox and the Trapper : Maruishi Yasushi's Challenging Debut

Jonah Salz
pp. 178-196
DOI: https://doi.org/10.1353/atj.2007.0022
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Tradition in Transition: The Shigeyama Chūzaburō Kyōgen Family Looks to the Future

John Kuzel
pp. 197-210
DOI: https://doi.org/10.1353/atj.2007.0017
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Bibliography

Kyōgen in English: A Bibliography

Julie Iezzi
pp. 211-234
DOI: https://doi.org/10.1353/atj.2007.0014
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Reports

Authenticity and Accessibility: Two Decades of Translating and Adapting Kyōgen Plays for English and Bilingual Student Performances

Laurence Richard Kominz
pp. 235-246
DOI: https://doi.org/10.1353/atj.2007.0016
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Theatre of Yugen's Direction of Kyōgen in English and Kyōgen Fusion Plays

Yuriko Doi
pp. 247-261
DOI: https://doi.org/10.1353/atj.2007.0005
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Muromachi Musicals: Resetting Kyōgen in a Modern Medium

Gart T. Westerhout
pp. 262-268
DOI: https://doi.org/10.1353/atj.2007.0027
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A Set of Kyōgen Adaptations: Henry Livings's Pongo Plays

Anthony Graham-White
pp. 269-277
DOI: https://doi.org/10.1353/atj.2007.0010
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Performance Reviews

The Drunkard's Revenge, and: Love's Labor (review)

Masae Suzuki
pp. 278-284
DOI: https://doi.org/10.1353/atj.2007.0024
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The Kyōgen of Errors (review)

Kathy Foley
pp. 294-296
DOI: https://doi.org/10.1353/atj.2007.0007
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Media Review

In a Thicket (review)

Tim Medlock
pp. 287-290
DOI: https://doi.org/10.1353/atj.2007.0018
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Book Reviews

A Guide to the Japanese Stage: From Traditional to Cutting Edge (review)

Holly A. Blumner
pp. 291-293
DOI: https://doi.org/10.1353/atj.2007.0001
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Shakespeare in Japan (review)

Daniel Gallimore
pp. 293-297
DOI: https://doi.org/10.1353/atj.2007.0009
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Developing Zeami: The Noh Actor's Attunement in Practice (review)

Margaret Coldiron
pp. 297-299
DOI: https://doi.org/10.1353/atj.2007.0002
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Theatre of Yugen, 25 Years: A Retrospective (review)

Judy Halebsky
pp. 299-301
DOI: https://doi.org/10.1353/atj.2007.0011
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Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)

John D. Swain
pp. 301-304
DOI: https://doi.org/10.1353/atj.2007.0025
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Between Tongues: Translation and/of/in Performance in Asia (review)

Thomas M. Hunter
pp. 304-307
DOI: https://doi.org/10.1353/atj.2007.0012
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Color Insert

Color Insert Plates

pp. 1-2
DOI: https://doi.org/10.1353/atj.2007.0003
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