1. Creating Madame Landowska
  2. Annegret Fauser
  3. pp. 1-23
  4. DOI: 10.1353/wam.2007.0002
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  1. The Taste of Love: Salome's Transfiguration
  2. Anne L. Seshadri
  3. pp. 24-44
  4. DOI: 10.1353/wam.2007.0014
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  1. Music, Novels, and Women: Nineteenth-Century Prescriptions for an Ideal Life
  2. Petra Meyer-Frazier
  3. pp. 45-59
  4. DOI: 10.1353/wam.2007.0010
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  1. "Like horses to water": Reconsidering Gender and Technology within Music Education Discourses
  2. Kip Pegley
  3. pp. 60-70
  4. DOI: 10.1353/wam.2007.0011
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  1. Queer Episodes in Music and Modern Identity (review)
  2. Nadine Hubbs
  3. pp. 80-88
  4. DOI: 10.1353/wam.2007.0005
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  1. Speak It Louder: Asian Americans Making Music (review)
  2. Allison Adah Johnson
  3. pp. 92-95
  4. DOI: 10.1353/wam.2007.0006
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  1. Women's Voices Across Musical Worlds (review)
  2. Lydia Hamessley
  3. pp. 95-99
  4. DOI: 10.1353/wam.2007.0003
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  1. A Problem Like Maria: Gender and Sexuality in the American Musical (review)
  2. Margaret McFadden
  3. pp. 99-101
  4. DOI: 10.1353/wam.2007.0008
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  1. Gender, Sexuality, and Early Music (review)
  2. Olivia A. Bloechl
  3. pp. 101-107
  4. DOI: 10.1353/wam.2007.0000
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  1. Venus Boyz (review)
  2. Gillian Rodger
  3. pp. 107-111
  4. DOI: 10.1353/wam.2007.0012
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  1. Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (review)
  2. Elizabeth L. Keathley
  3. pp. 111-114
  4. DOI: 10.1353/wam.2007.0007
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  1. Maddalena Lombardini Sirmen, Eighteenth-Century Composer, Violinist, and Businesswoman (review)
  2. Helen Metzelaar
  3. pp. 114-123
  4. DOI: 10.1353/wam.2007.0009
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  1. Contributors
  2. pp. 124-126
  3. DOI: 10.1353/wam.2007.0001
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