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In this Issue

Table of Contents

  1. Editorial comment: Film and Theatre
  3. pp. ix-xii
  4. DOI: https://doi.org/10.1353/tj.2007.0039
  5. restricted access
  1. Filmed Scenery on the Live Stage
  2. Gwendolyn Waltz
  3. pp. 547-573
  4. DOI: https://doi.org/10.1353/tj.2007.0035
  5. restricted access
  1. Why Girls Leave Home: Victorian and Edwardian "Bad-Girl" Melodrama Parodied in Early Film
  2. David Mayer
  3. pp. 575-593
  4. DOI: https://doi.org/10.1353/tj.2007.0022
  5. restricted access
  1. Up-to-Date Magic: Theatrical Conjuring and the Trick Film
  2. Matthew Solomon
  3. pp. 595-615
  4. DOI: https://doi.org/10.1353/tj.2007.0032
  5. restricted access
  1. "In the Grip of an Obsession": Delsarte and the Quest for Self-Possession in The Cabinet of Dr. Caligari
  2. Julia A. Walker
  3. pp. 617-631
  4. DOI: https://doi.org/10.1353/tj.2007.0034
  5. restricted access
  1. Tramp Sensibility and the Afterlife of Showgirls
  2. Nick Salvato
  3. pp. 633-648
  4. DOI: https://doi.org/10.1353/tj.2007.0027
  5. restricted access
  1. Becoming-Animate: On the Performed Limits of "Human"
  2. Jennifer Parker-Starbuck
  3. pp. 649-668
  4. DOI: https://doi.org/10.1353/tj.2007.0033
  5. restricted access

Performance Reviews

  1. Amerika, or The Disappearance (review)
  2. Steve Matuszak
  3. pp. 569-671
  4. DOI: https://doi.org/10.1353/tj.2007.0021
  5. restricted access
  1. Reeling (review)
  2. Jeanne Willcoxon
  3. pp. 671-672
  4. DOI: https://doi.org/10.1353/tj.2007.0037
  5. restricted access
  1. Lulu (review)
  2. Marion E. Wilson
  3. pp. 672-673
  4. DOI: https://doi.org/10.1353/tj.2007.0038
  5. restricted access
  1. Zomboid! (review)
  2. Martin Harries
  3. pp. 673-676
  4. DOI: https://doi.org/10.1353/tj.2007.0012
  5. restricted access
  1. Kommer, and: Big 2nd Episode (Show / Business) (review)
  2. Helen E. Richardson
  3. pp. 676-679
  4. DOI: https://doi.org/10.1353/tj.2007.0025
  5. restricted access
  1. Trilogy (review)
  2. Lauren Hobbs Sexton
  3. pp. 679-681
  4. DOI: https://doi.org/10.1353/tj.2007.0029
  5. restricted access
  1. Orpheus X (review)
  2. Leah Lowe
  3. pp. 681-683
  4. DOI: https://doi.org/10.1353/tj.2007.0019
  5. restricted access
  1. Cathay: Three Tales of China (review)
  2. Yuko Kurahashi
  3. pp. 683-684
  4. DOI: https://doi.org/10.1353/tj.2007.0018
  5. restricted access
  1. Peer Gynt (review)
  2. Klaus van den Berg
  3. pp. 684-687
  4. DOI: https://doi.org/10.1353/tj.2007.0002
  5. restricted access
  1. Jazz Baby Joan (review)
  2. Greg White
  3. pp. 687-688
  4. DOI: https://doi.org/10.1353/tj.2007.0036
  5. restricted access
  1. Hiroshima Maiden (review)
  2. Nobuko Anan
  3. pp. 690-692
  4. DOI: https://doi.org/10.1353/tj.2007.0000
  5. restricted access
  1. The Royal Hunt of the Sun (review)
  2. C. J. Gianakaris
  3. pp. 692-694
  4. DOI: https://doi.org/10.1353/tj.2007.0011
  5. restricted access
  1. 30th Annual Humana Festival of New American Plays (review)
  2. Scott T. Cummings
  3. pp. 695-697
  4. DOI: https://doi.org/10.1353/tj.2007.0007
  5. restricted access
  1. Theatertreffen 2006 (review)
  2. John Rouse
  3. pp. 697-701
  4. DOI: https://doi.org/10.1353/tj.2007.0026
  5. restricted access
  1. Bloody Mess (review)
  2. Beth Hoffmann
  3. pp. 701-703
  4. DOI: https://doi.org/10.1353/tj.2007.0014
  5. restricted access
  1. Guantanamo: "Honor Bound to Defend Freedom" (review)
  2. Ryan Claycomb
  3. pp. 703-705
  4. DOI: https://doi.org/10.1353/tj.2007.0006
  5. restricted access
  1. Hamlet (review)
  2. Elizabeth Ecker, Kristina Caton, M. G. Aune
  3. pp. 705-707
  4. DOI: https://doi.org/10.1353/tj.2007.0009
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Book Review

  1. Theater and Film : A Comparative Anthology (review)
  2. Michelle Mills Smith
  3. pp. 709-710
  4. DOI: https://doi.org/10.1353/tj.2007.0031
  5. restricted access
  1. Censorship in Theatre and Cinema (review)
  2. Rebecca Hewett
  3. pp. 710-711
  4. DOI: https://doi.org/10.1353/tj.2007.0013
  5. restricted access
  1. The Cinematic Theater (review)
  2. Season Ellison
  3. pp. 711-712
  4. DOI: https://doi.org/10.1353/tj.2007.0010
  5. restricted access
  1. Rainer Werner Fassbinder and the German Theatre (review)
  2. Milan Pribisic
  3. pp. 712-713
  4. DOI: https://doi.org/10.1353/tj.2007.0024
  5. restricted access
  1. The Films of Kenneth Branagh (review)
  2. Shannon Blake Skelton
  3. pp. 714-715
  4. DOI: https://doi.org/10.1353/tj.2007.0030
  5. restricted access
  1. Through the Screen Door: What Happened to the Broadway Musical When it Went to Hollywood (review)
  2. Diana Calderazzo
  3. pp. 715-716
  4. DOI: https://doi.org/10.1353/tj.2007.0004
  5. restricted access
  1. Acting Jewish: Negotiating Ethnicity on the American Stage and Screen (review)
  2. Jeff Wax
  3. pp. 716-717
  4. DOI: https://doi.org/10.1353/tj.2007.0082
  5. restricted access
  1. Staging the Easter Rising: 1916 as Theatre (review)
  2. Aaron Krall
  3. pp. 718-719
  4. DOI: https://doi.org/10.1353/tj.2007.0016
  5. restricted access
  1. Childsplay: The Art of Allan Kaprow (review)
  2. Steve Earnest
  3. pp. 719-720
  4. DOI: https://doi.org/10.1353/tj.2007.0008
  5. restricted access
  1. Seeing Chekhov: Life and Art (review)
  2. James M. Brandon
  3. pp. 720-721
  4. DOI: https://doi.org/10.1353/tj.2007.0003
  5. restricted access
  1. Significant Other: Staging the American in China (review)
  2. Barbara Sellers-Young
  3. pp. 721-722
  4. DOI: https://doi.org/10.1353/tj.2007.0028
  5. restricted access
  1. Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage (review)
  2. Barbara Mackey
  3. pp. 722-724
  4. DOI: https://doi.org/10.1353/tj.2007.0020
  5. restricted access
  1. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (review)
  2. Loren Kruger
  3. pp. 724-725
  4. DOI: https://doi.org/10.1353/tj.2007.0017
  5. restricted access
  1. Staging Whiteness (review)
  2. James M. Cherry
  3. pp. 725-726
  4. DOI: https://doi.org/10.1353/tj.2007.0005
  5. restricted access
  1. Augusto Boal, and: A Boal Companion: Dialogues on Theatre and Cultural Politics (review)
  2. Kelly Howe
  3. pp. 726-728
  4. DOI: https://doi.org/10.1353/tj.2007.0015
  5. restricted access
  1. Utopia in Performance: Finding Hope at the Theater (review)
  2. Susan Bennett
  3. pp. 728-729
  4. DOI: https://doi.org/10.1353/tj.2007.0001
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Index to Volume 58

  1. Index to Volume 58
  3. pp. 737-744
  4. DOI: https://doi.org/10.1353/tj.2007.0081
  5. restricted access
  1. The Watts Tower Project (review)
  2. Nicole Hodges Persley
  3. pp. 688-690
  4. DOI: https://doi.org/10.1353/tj.2007.0023
  5. restricted access