In this Issue
Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are published. Invited essays of nearly double the length of a traditional article and Incipit, a dialogic format in which two colleagues debate a matter of primary concern to the field, are also featured.
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University of Nebraska Pressviewing issue
Volume 35, Number 1, Fall 2006Table of Contents
- Foreword
- pp. 11-12
- DOI: https://doi.org/10.1353/ncf.2006.0043
- Introduction
- pp. 13-21
- DOI: https://doi.org/10.1353/ncf.2006.0044
I. Sculpture and Poetic Space Before 1859
La Sculpture et L’Espace Poétigue Avent 1859
- Delacroix and Sculpture
- pp. 95-109
- DOI: https://doi.org/10.1353/ncf.2006.0046
II. Translating Sculpture Into Poetic Form
L’Art De Traduire la Sculpture en Forme Poétique
- Casting Hugo into History
- pp. 189-205
- DOI: https://doi.org/10.1353/ncf.2006.0053
- Stendhal et l'idéal moderne
- pp. 226-246
- DOI: https://doi.org/10.1353/ncf.2006.0051
Ilustrations
- Illustrations
- pp. 247-291
- DOI: https://doi.org/10.1353/ncf.2006.0047
Index
Contributors
- Contributors
- pp. 8-9
- DOI: https://doi.org/10.1353/ncf.2006.0000
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Copyright © 2006 The University of Nebraska Press.