1. Is Performance Studies Imperialist?
  2. Jon McKenzie
  3. pp. 5-8
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  1. Allan Kaprow: 1927-2006
  2. Frantisek Deak
  3. pp. 9-12
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  1. Péter Halász: 1943-2006
  2. Judith "Galus" Halasz
  3. pp. 13-15
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  1. Mutant Enunciations
  2. André Lepecki
  3. pp. 16-20
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  1. Paradoxical Body
  2. José Gil, André Lepecki
  3. pp. 21-35
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  1. 24 Questions for Hooman
  2. André Lepecki, Hooman Sharifi
  3. pp. 21-35
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  1. Mobilization of the Planet from the Spirit of Self-Intensification
  2. Peter Sloterdijk, Heidi Ziegler
  3. pp. 36-43
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  1. Reflections on Failure
  2. Jenn Joy
  3. pp. 44-51
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  1. Dancing Around Orientalism
  2. Donnalee Dox
  3. pp. 52-71
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  1. What's the Matter?: Shakti's (Re)Collection of Race, Nationhood, and Gender
  2. Anita Kumar
  3. pp. 72-95
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  1. What the Fox Might Have Said About Inhabiting Shenzhen: The Ambiguous Possibilities of Social- and Self-Transformation in Late Socialist Worlds
  2. Mary Ann O'Donnell
  3. pp. 96-119
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  1. North American Passion Plays: "The Greatest Story Ever Told" in the New Millennium
  2. Dorothy Chansky
  3. pp. 120-145
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  1. Disruption, Continuity, and the Social Lives of Things: Navajo Folk Art and/as Performance
  2. Judith Hamera
  3. pp. 146-160
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  1. Already Buried but Still Alive: Péter Halász at His Own Funeral
  2. Tamás Szönyei, Anikó Szûcs
  3. pp. 161-164
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  1. Echoes from the Brave Festival
  2. Brian C. Russo
  3. pp. 164-170
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  1. A Televisual Inferno: Tea Alagic's preparadise, sorry now
  2. Kristina Mendicino
  3. pp. 171-177
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  1. After Criticism: New Responses to Art and Performance (review)
  2. T. Nikki Cesare
  3. pp. 178-179
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  1. Censorship of the American Theatre in the Twentieth Century, and: Theatre, Society and the Nation: Staging American Identities (review)
  2. Thomas J. Mikotowicz
  3. pp. 180-182
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  1. The Oxford Companion to Indian Theatre (review)
  2. Erin B. Mee
  3. pp. 183-184
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  1. Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India (review)
  2. Shanti Pillai
  3. pp. 185-186
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  1. From Inner Worlds to Outer Space, and: Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s (review)
  2. Sean Metzger
  3. pp. 187-189
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  1. Art Rights Are Human Rights
  2. Kate Gilmore
  3. pp. 190-191
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  1. TDR Volume 50 Index
  3. pp. 193-198
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