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In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/flm.2006.0035
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  1. Don Staples: Teacher, Scholar, Administrator, Filmmaker
  2. Ben Levin
  3. pp. 4-16
  4. DOI: https://doi.org/10.1353/flm.2006.0034
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  1. War in Film, Television, and History: The War Continues
  2. James R. Knecht
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/flm.2006.0033
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  1. The Master of the Movies: A Tribute to Frank Manchel
  2. Denise J. Youngblood
  3. pp. 21-24
  4. DOI: https://doi.org/10.1353/flm.2006.0044
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  1. Hollywood's D-Day From the Perspective of the 1960s and the 1990s: The Longest Day and Saving Private Ryan
  2. Robert Brent Toplin
  3. pp. 25-29
  4. DOI: https://doi.org/10.1353/flm.2006.0038
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  1. Paying for the Damage: The Quiet American Revisited
  2. William S. Bushnell
  3. pp. 38-44
  4. DOI: https://doi.org/10.1353/flm.2006.0024
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  1. "Vestments of civil life" in Caine Mutiny and Attack
  2. Kathleen A. Brown
  3. pp. 38-57
  4. DOI: https://doi.org/10.1353/flm.2006.0023
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  1. Toward a New Canon: The Vietnam Conflict Through Vietnamese Lenses
  2. Laurel Westrup
  3. pp. 45-51
  4. DOI: https://doi.org/10.1353/flm.2006.0040
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  1. Paperback Vigilante (review)
  2. Peter Bales
  3. p. 52
  4. DOI: https://doi.org/10.1353/flm.2006.0000
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  1. The Massachusetts 54th Colored Infantry (review)
  2. Nancy L. Zens
  3. pp. 52-53
  4. DOI: https://doi.org/10.1353/flm.2006.0045
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  1. Linciati: Lynchings of Italians in America (review)
  2. Stacey Lee Donohue
  3. pp. 53-54
  4. DOI: https://doi.org/10.1353/flm.2006.0027
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  1. Lincoln (review)
  2. James Yates
  3. pp. 54-55
  4. DOI: https://doi.org/10.1353/flm.2006.0043
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  1. Mystic Voices: The Story of the Pequot War (review)
  2. Michael DiCamillo
  3. p. 56
  4. DOI: https://doi.org/10.1353/flm.2006.0026
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  1. Sinking the Supership (review)
  2. Van Ells, Mark D. (Mark David), 1962-
  3. pp. 56-57
  4. DOI: https://doi.org/10.1353/flm.2006.0039
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  1. All the President's Men (review)
  2. Jonathan Kirshner
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/flm.2006.0032
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  1. Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema (review)
  2. Deborah A. Carmichael
  3. pp. 59-60
  4. DOI: https://doi.org/10.1353/flm.2006.0025
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  1. We'll Always Have the Movies: American Cinema During World War II (review)
  2. Robert Fyne
  3. pp. 60-61
  4. DOI: https://doi.org/10.1353/flm.2006.0029
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  1. Reality TV: Realism and Revelation (review)
  2. Julie Anne Taddeo
  3. pp. 61-62
  4. DOI: https://doi.org/10.1353/flm.2006.0037
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  1. Queer Images: A History of Gay and Lesbian Film in America (review)
  2. Ron Briley
  3. pp. 62-63
  4. DOI: https://doi.org/10.1353/flm.2006.0022
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  1. The War Film (review)
  2. Michael S. Shull
  3. pp. 63-65
  4. DOI: https://doi.org/10.1353/flm.2006.0036
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  1. Visions of Paradise: Images of Eden in the Cinema (review)
  2. Antoinette Winstead
  3. pp. 65-66
  4. DOI: https://doi.org/10.1353/flm.2006.0041
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  1. Hollywood, the Pentagon and Washington: The Movies and National Security from World War II to the Present Day (review)
  2. Charles Wukasch
  3. pp. 66-67
  4. DOI: https://doi.org/10.1353/flm.2006.0042
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  1. The Fifties: Transforming the Screen 1950-1959 (review)
  2. Robert Fyne
  3. pp. 67-68
  4. DOI: https://doi.org/10.1353/flm.2006.0030
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  1. Saints, Clergy and Other Religious Figures on Film and Television, 1895-2003 (review)
  2. Erin Hill-Parks
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/flm.2006.0031
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  1. Sidney Lumet: Interviews (review)
  2. Ken Dvorak
  3. p. 69
  4. DOI: https://doi.org/10.1353/flm.2006.0028
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