1. Dossier on Michael Haneke
  2. Brian Price
  3. pp. 4-5
  4. DOI: 10.1353/frm.2006.0017
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  1. Michael Haneke and the Discontents of European Culture
  2. Christopher Sharrett
  3. pp. 6-16
  4. DOI: 10.1353/frm.2006.0020
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  1. Haneke, the Long Take, Realism
  2. John David Rhodes
  3. pp. 17-21
  4. DOI: 10.1353/frm.2006.0019
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  1. Pain and the Limits of Representation
  2. Brian Price
  3. pp. 22-29
  4. DOI: 10.1353/frm.2006.0018
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  1. Benny's Video, Caché, and the Desubstantiated Image
  2. Mattias Frey
  3. pp. 30-36
  4. DOI: 10.1353/frm.2006.0011
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  1. Poetry and Film: Cinema as Publication
  2. Scott MacDonald
  3. pp. 37-58
  4. DOI: 10.1353/frm.2006.0015
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  1. Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere
  2. Elena Gorfinkel
  3. pp. 59-86
  4. DOI: 10.1353/frm.2006.0012
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  1. A Business Idea: An Interview with Saul Charney
  2. Drake Stutesman, Saul Charney
  3. pp. 87-93
  4. DOI: 10.1353/frm.2006.0021
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  1. Dispatch from Mali: A Soap Opera Education
  2. Anh Ly
  3. pp. 94-99
  4. DOI: 10.1353/frm.2006.0014
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  1. An Interview with Khalid Mohamed
  2. Priya Kumar, Khalid Mohamed
  3. pp. 100-119
  4. DOI: 10.1353/frm.2006.0013
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  1. Toronto International Film Festival
  2. Virginia Wright Wexman
  3. pp. 125-127
  4. DOI: 10.1353/frm.2006.0025
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  1. Vancouver International Film Festival
  2. Virginia Wright Wexman
  3. pp. 128-130
  4. DOI: 10.1353/frm.2006.0026
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  1. The Fifth Annual Tribeca Film Festival
  2. Drake Stutesman
  3. pp. 131-133
  4. DOI: 10.1353/frm.2006.0022
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  1. The Thirteenth Annual African Film Festival
  2. Drake Stutesman
  3. pp. 134-136
  4. DOI: 10.1353/frm.2006.0023
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  1. High Fidelity: France's Conversion Era and the Limits of the Classical Style
  2. Colin Burnett
  3. pp. 137-139
  4. DOI: 10.1353/frm.2006.0000
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  1. An Appraisal of Latin American Cinema
  2. Fabiana Pereira
  3. pp. 140-142
  4. DOI: 10.1353/frm.2006.0016
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