1. The Karma of Words: Mailer since Executioner's Song
  2. John Whalen-Bridge, Norman Mailer
  3. pp. 1-16
  4. DOI: 10.1353/jml.2006.0057
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  1. "Insatiable as Good Old America": Tough Guys Don't Dance and Popular Criminality
  2. James Emmett Ryan
  3. pp. 17-22
  4. DOI: 10.1353/jml.2006.0066
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  1. The Addiction of Masculinity: Norman Mailer's Tough Guys Don't Dance and the Cultural Politics of Reaganism
  2. Scott Duguid
  3. pp. 23-30
  4. DOI: 10.1353/jml.2006.0058
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  1. Mailer Again: Heterophobia in Tough Guys Don't Dance
  2. Ashton Howley
  3. pp. 31-46
  4. DOI: 10.1353/jml.2006.0059
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  1. Plexed Artistry: The Formal Case for Mailer's Harlot's Ghost
  2. David Rampton
  3. pp. 47-63
  4. DOI: 10.1353/jml.2006.0065
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  1. The Gospel According to the Son and Christian Belief
  2. Jeffrey F. L. Partridge
  3. pp. 64-77
  4. DOI: 10.1353/jml.2006.0063
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  1. Norman Mailer: Novelist, Journalist, or Historian?
  2. Michael Lennon
  3. pp. 91-103
  4. DOI: 10.1353/jml.2006.0060
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  1. "Perpetuating the Language": Romantic Tradition, the Genre Function, and the Origins of the Trench Lyric
  2. Nils Clausson
  3. pp. 104-128
  4. DOI: 10.1353/jml.2006.0051
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  1. A Feat of Strength in "Ithaca": Eugen Sandow and Physical Culture in Joyce's Ulysses
  2. Vike Martina Plock
  3. pp. 129-139
  4. DOI: 10.1353/jml.2006.0064
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  1. Automobility and Lyric Poetry: The Mobile Gaze in William Carlos Williams' "The Right of Way"
  2. Jon Chatlos
  3. pp. 140-154
  4. DOI: 10.1353/jml.2006.0055
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  1. Mid-Term Autobiography and the Second World War
  2. Jonathan Bolton
  3. pp. 155-172
  4. DOI: 10.1353/jml.2006.0052
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  1. Papas' Baby: Impossible Paternity in Going to Meet the Man
  2. Matt Brim
  3. pp. 173-198
  4. DOI: 10.1353/jml.2006.0053
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  1. Shaping the National Voice: Poetry of WWI
  2. Heather Lusty
  3. pp. 199-209
  4. DOI: 10.1353/jml.2006.0061
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  1. Editor's Introduction
  2. Robert L. Caserio
  3. pp. v-viii
  4. DOI: 10.1353/jml.2006.0054
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  1. Contributors
  2. pp. 210-212
  3. DOI: 10.1353/jml.2006.0056
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