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Table of Contents

  1. Tips on Acquiring Music
  2. Robert Michael Fling
  3. pp. 279-288
  4. DOI: https://doi.org/10.1353/not.2006.0142
  5. restricted access
  1. Studies in Music with Text (review)
  2. David Clampitt
  3. pp. 340-342
  4. DOI: https://doi.org/10.1353/not.2006.0135
  5. restricted access
  1. The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (review)
  2. Leon W. Couch
  3. pp. 342-345
  4. DOI: https://doi.org/10.1353/not.2006.0138
  5. restricted access
  1. The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe (review)
  2. Alexander J. Fisher
  3. pp. 345-348
  4. DOI: https://doi.org/10.1353/not.2006.0141
  5. restricted access
  1. Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence (review)
  2. Anne MacNeil
  3. pp. 348-349
  4. DOI: https://doi.org/10.1353/not.2006.0152
  5. restricted access
  1. The Cambridge Companion to Haydn (review)
  2. Bryan Proksch
  3. pp. 349-351
  4. DOI: https://doi.org/10.1353/not.2006.0161
  5. restricted access
  1. The String Quartets of Beethoven (review)
  2. Robert Follet
  3. pp. 353-355
  4. DOI: https://doi.org/10.1353/not.2006.0143
  5. restricted access
  1. Interpreting the Musical Past: Early Music in Nineteenth-Century France (review)
  2. John Wagstaff
  3. pp. 355-358
  4. DOI: https://doi.org/10.1353/not.2006.0166
  5. restricted access
  1. The Composer as Intellectual: Music and Ideology in France 1914-1940 (review)
  2. Mary Elizabeth Davis
  3. pp. 358-362
  4. DOI: https://doi.org/10.1353/not.2006.0139
  5. restricted access
  1. Camille Saint-Saëns (review)
  2. Michael Creasman Strasser
  3. pp. 362-364
  4. DOI: https://doi.org/10.1353/not.2006.0163
  5. restricted access
  1. Musical Encounters at the 1889 Paris World's Fair (review)
  2. Lesley Alison Wright
  3. pp. 364-366
  4. DOI: https://doi.org/10.1353/not.2006.0169
  5. restricted access
  1. The Virtuoso Conductors (review)
  2. Joy Pile
  3. pp. 366-368
  4. DOI: https://doi.org/10.1353/not.2006.0160
  5. restricted access
  1. Researching the Song: A Lexicon (review)
  2. Ruthann Boles McTyre
  3. pp. 368-369
  4. DOI: https://doi.org/10.1353/not.2006.0155
  5. restricted access
  1. Moriz Rosenthal in Word and Music: A Legacy of the Nineteenth Century (review)
  2. Donald Manildi
  3. pp. 370-372
  4. DOI: https://doi.org/10.1353/not.2006.0153
  5. restricted access
  1. Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His "Werther" Quartet (review)
  2. Brien Weiner
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/not.2006.0167
  5. restricted access
  1. Paul Hindemith und die neue Welt: Studien zur amerikanischen Hindemith-Rezeption (review)
  2. David Neumeyer
  3. pp. 377-379
  4. DOI: https://doi.org/10.1353/not.2006.0156
  5. restricted access
  1. Music for the Common Man: Aaron Copland during the Depression and War (review)
  2. Leonard Lehrman
  3. pp. 379-381
  4. DOI: https://doi.org/10.1353/not.2006.0151
  5. restricted access
  1. William Alwyn: The Art of Film Music (review)
  2. Eric Hing-Tao Hung
  3. pp. 381-382
  4. DOI: https://doi.org/10.1353/not.2006.0148
  5. restricted access
  1. The Beatles: The Biography (review)
  2. Steve Weiss
  3. pp. 382-383
  4. DOI: https://doi.org/10.1353/not.2006.0168
  5. restricted access
  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 384-394
  4. DOI: https://doi.org/10.1353/not.2006.0144
  5. restricted access
  1. MusicalAmerica.com (review)
  2. Bonnie Houser
  3. pp. 398-400
  4. DOI: https://doi.org/10.1353/not.2006.0147
  5. restricted access
  1. Gaelic Music of Cape Breton Island: The Last Fifteen Years
  2. Thomas H. Pease
  3. pp. 401-417
  4. DOI: https://doi.org/10.1353/not.2006.0159
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 417-422
  4. DOI: https://doi.org/10.1353/not.2006.0133
  5. restricted access
  1. Complete Unaccompanied Madrigals (review)
  2. Ruth I. DeFord
  3. pp. 427-431
  4. DOI: https://doi.org/10.1353/not.2006.0140
  5. restricted access
  1. Rodelinda, Regina de' Longobardi: Drama per musica in tre atti, HWV 19 (review)
  2. Suzanne Aspden
  3. pp. 431-435
  4. DOI: https://doi.org/10.1353/not.2006.0134
  5. restricted access
  1. Eighteen Canzonets for Two and Three Voices (review)
  2. Sarah Day-O'Connell
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/not.2006.0132
  5. restricted access
  1. Musica Ecclesiae, or Devotional Harmony (review)
  2. Robert M. Copeland
  3. pp. 437-440
  4. DOI: https://doi.org/10.1353/not.2006.0137
  5. restricted access
  1. Various Compositions by Samuel Wesley
  2. Alyson McLamore
  3. pp. 440-449
  4. DOI: https://doi.org/10.1353/not.2006.0154
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 459-460
  4. DOI: https://doi.org/10.1353/not.2006.0146
  5. restricted access
  1. Communications
  2. p. 461
  3. DOI: https://doi.org/10.1353/not.2006.0165
  4. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 2000-2005
  2. Paula Hickner
  3. pp. 329-336
  4. DOI: https://doi.org/10.1353/not.2006.0145
  5. restricted access
  1. Notes for NOTES
  2. pp. 337-339
  3. DOI: https://doi.org/10.1353/not.2006.0158
  4. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 450-458
  4. DOI: https://doi.org/10.1353/not.2006.0149
  5. restricted access