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In this Issue

Table of Contents

  1. Thematic Return in Late Bach Fugues
  2. Joseph Kerman
  3. pp. 515-522
  4. restricted access
  1. Beggar at the Door: The Rise and Fall of Portamento in Singing
  2. John, tenor Potter
  3. pp. 523-550
  4. restricted access
  1. Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris
  2. Sarah Hibberd
  3. pp. 551-579
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  1. 'Ah Clara, I am not worthy of your love': Rereading 'Frauenliebe und Leben', the Poetry and the Music
  2. Elissa S. Guralnick
  3. pp. 580-605
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  1. Hitchcock's Ives: A New Edition of 129 Songs
  2. Peter Dickinson
  3. pp. 606-613
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  1. Handel and the English Chapel Royal (review)
  2. Andrew V. Jones
  3. pp. 614-619
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  1. Lark in the Morning: The Verses of the Troubadours, a Bilingual Edition (review)
  2. John Dickinson Haines
  3. pp. 619-621
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  1. Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring (review)
  2. Arnold Whittall
  3. pp. 621-623
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  1. William Byrd's Modal Practice (review)
  2. Hugh Benham
  3. pp. 623-625
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  1. The Beethoven Violin Sonatas: History, Criticism, Performance (review)
  2. Barry Cooper
  3. pp. 625-627
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  1. Musical Encounters at the 1889 Paris World's Fair, and: Debussy's Letters to Inghelbrecht: The Story of a Musical Friendship (review)
  2. Robert Orledge
  3. pp. 627-630
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  1. Music, Discipline, and Arms in Early Modern France (review)
  2. Margaret M. McGowan
  3. pp. 630-633
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  1. The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (review)
  2. Alessandro Arcangeli
  3. pp. 633-636
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  1. Dramaturgie de la tragédie en musique (1673-1764) (review)
  2. Desmond Hosford
  3. pp. 636-639
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  1. Théâtre et opéra à l'âge classique: Une familière étrangeté (review)
  2. Jacqueline Waeber
  3. pp. 639-642
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  1. Musikwissenschaft als Kulturwissenschaft damals und heute. Internationales Symposion (1998) zum Jubiläum der Institutsgründung an der Universität Wien vor 100 Jahren (review)
  2. Tomi Mäkelä
  3. pp. 642-644
  4. restricted access
  1. Cavalier Giovanni Battista Buonamente: Franciscan Violinist (review)
  2. Michael Talbot
  3. pp. 645-647
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  1. Five Operas and a Symphony: Words and Music in Russian Culture (review)
  2. Pauline Fairclough
  3. pp. 647-651
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  1. Charles Avison's Essay on Musical Expression. With Related Writings by William Hayes and Charles Avison (review)
  2. Sandra Mangsen
  3. pp. 651-654
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  1. Johann Sebastian Bach: Christmas Oratorio (BWV 248) (review)
  2. John Butt
  3. pp. 654-656
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  1. Das italienische Oratorium 1625-1665: Music und Dichtung (review)
  2. Reinhard Strohm
  3. pp. 656-658
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  1. German Modernism: Music and the Arts (review)
  2. Nick Chadwick
  3. pp. 658-663
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  1. Chronologisch-thematisches Verzeichnis der Werk Ferdinando Paers (PaWV ), vol. 1: Die Opern (review)
  2. Matthias Brzoska, Leofranc Holford-Strevens
  3. pp. 663-664
  4. restricted access
  1. A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices (review)
  2. William Drabkin
  3. pp. 664-666
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  1. The Changing Role for the Composer in Society: A Study of the Historical Background and Current Methodologies of Creative Music-Making (review)
  2. Nicholas Bannan
  3. pp. 666-667
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  1. György Kurtág: The Sayings of Péter Bornemisza, Op. 7: A Concerto for Soprano and Piano (review)
  2. Stephen Walsh
  3. pp. 667-670
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  1. Jazz on the River (review)
  2. Charles Hiroshi Garrett
  3. pp. 670-672
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  1. Instrumentale Konzeptionen in der Virginalmusik von William Byrd (review)
  2. O. W. Neighbour
  3. pp. 672-675
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  1. Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan (review)
  2. Derek B. Scott
  3. pp. 676-678
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  1. Handel: Water Music and Music for the Royal Fireworks (review)
  2. Jonathan Tyack
  3. pp. 678-679
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  1. Gender and Sexuality in South African Music (review)
  2. Van der Merwe, Peter
  3. pp. 680-683
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  1. Vocal Apparitions: The Attraction of Cinema to Opera (review)
  2. Laura Basini
  3. pp. 683-685
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  1. How Sondheim Found his Sound (review)
  2. Joseph Peter Swain
  3. pp. 685-687
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  1. Benjamin Britten and Samuel Barber: Their Lives and their Music (review)
  2. Lloyd Whitesell
  3. pp. 687-688
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  1. Le Destin russe et la musique: Un siècle de la Révolution à nos jours (review)
  2. Rosamund Bartlett
  3. pp. 688-690
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  1. A Viola da Gamba Miscellanea (review)
  2. Peter Holman
  3. pp. 690-692
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  1. Sergej Prokofjew in der Sowjetunion: Verstrickungen--Missverständnisse--Katastrophen: Ein internationales Symposium, and: Sergej Prokofjews viersätzige Klaviersonaten: Studien zu Form und Gehalt, and: Schräg zur Linie des sozialistischen Realismus?: Prokofjews spätere Sonaten sowie Orchester- und Bühnenwerke: Ein internationales Symposium, and: Die Wahrheit über Prokofjew: Das Drama der letzten Jahre (review)
  2. David Fanning
  3. pp. 692-694
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  1. Wired for Sound: Engineering and Technologies in Sonic Cultures (review)
  2. Simon Zagorski-Thomas
  3. pp. 694-697
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  1. Aaron Copland and his World (review)
  2. David Nicholls
  3. pp. 697-698
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  1. Willem de Fesch: 'An excellent musician and a worthy man' (review)
  2. H. Diack Johnstone
  3. pp. 699-700
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  1. Ibbs and Tillett: The Rise and Fall of a Musical Empire (review)
  2. Benjamin Wolf
  3. pp. 700-703
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  1. Hearing Bach's Passions (review)
  2. Alan Howard
  3. pp. 703-706
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  1. Correspondence
  2. Wolfgang Sandberger
  3. p. 707
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  1. Contributors
  3. p. 709
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  1. Books Received
  3. pp. 710-711
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