In this Issue

Table of Contents

Thematic Return in Late Bach Fugues

Joseph Kerman
pp. 515-522
restricted access

Beggar at the Door: The Rise and Fall of Portamento in Singing

John, tenor Potter
pp. 523-550
restricted access

Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris

Sarah Hibberd
pp. 551-579
restricted access

'Ah Clara, I am not worthy of your love': Rereading 'Frauenliebe und Leben', the Poetry and the Music

Elissa S. Guralnick
pp. 580-605
restricted access

Hitchcock's Ives: A New Edition of 129 Songs

Peter Dickinson
pp. 606-613
restricted access

Handel and the English Chapel Royal (review)

Andrew V. Jones
pp. 614-619
restricted access

Lark in the Morning: The Verses of the Troubadours, a Bilingual Edition (review)

John Dickinson Haines
pp. 619-621
restricted access

Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring (review)

Arnold Whittall
pp. 621-623
restricted access

William Byrd's Modal Practice (review)

Hugh Benham
pp. 623-625
restricted access

The Beethoven Violin Sonatas: History, Criticism, Performance (review)

Barry Cooper
pp. 625-627
restricted access

Musical Encounters at the 1889 Paris World's Fair, and: Debussy's Letters to Inghelbrecht: The Story of a Musical Friendship (review)

Robert Orledge
pp. 627-630
restricted access

Music, Discipline, and Arms in Early Modern France (review)

Margaret M. McGowan
pp. 630-633
restricted access

The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (review)

Alessandro Arcangeli
pp. 633-636
restricted access

Dramaturgie de la tragédie en musique (1673-1764) (review)

Desmond Hosford
pp. 636-639
restricted access

Théâtre et opéra à l'âge classique: Une familière étrangeté (review)

Jacqueline Waeber
pp. 639-642
restricted access

Musikwissenschaft als Kulturwissenschaft damals und heute. Internationales Symposion (1998) zum Jubiläum der Institutsgründung an der Universität Wien vor 100 Jahren (review)

Tomi Mäkelä
pp. 642-644
restricted access

Cavalier Giovanni Battista Buonamente: Franciscan Violinist (review)

Michael Talbot
pp. 645-647
restricted access

Five Operas and a Symphony: Words and Music in Russian Culture (review)

Pauline Fairclough
pp. 647-651
restricted access

Charles Avison's Essay on Musical Expression. With Related Writings by William Hayes and Charles Avison (review)

Sandra Mangsen
pp. 651-654
restricted access

Johann Sebastian Bach: Christmas Oratorio (BWV 248) (review)

John Butt
pp. 654-656
restricted access

Das italienische Oratorium 1625-1665: Music und Dichtung (review)

Reinhard Strohm
pp. 656-658
restricted access

German Modernism: Music and the Arts (review)

Nick Chadwick
pp. 658-663
restricted access

Chronologisch-thematisches Verzeichnis der Werk Ferdinando Paers (PaWV ), vol. 1: Die Opern (review)

Matthias Brzoska, Leofranc Holford-Strevens
pp. 663-664
restricted access

A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices (review)

William Drabkin
pp. 664-666
restricted access

The Changing Role for the Composer in Society: A Study of the Historical Background and Current Methodologies of Creative Music-Making (review)

Nicholas Bannan
pp. 666-667
restricted access

György Kurtág: The Sayings of Péter Bornemisza, Op. 7: A Concerto for Soprano and Piano (review)

Stephen Walsh
pp. 667-670
restricted access

Jazz on the River (review)

Charles Hiroshi Garrett
pp. 670-672
restricted access

Instrumentale Konzeptionen in der Virginalmusik von William Byrd (review)

O. W. Neighbour
pp. 672-675
restricted access

Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan (review)

Derek B. Scott
pp. 676-678
restricted access

Handel: Water Music and Music for the Royal Fireworks (review)

Jonathan Tyack
pp. 678-679
restricted access

Gender and Sexuality in South African Music (review)

Van der Merwe, Peter
pp. 680-683
restricted access

Vocal Apparitions: The Attraction of Cinema to Opera (review)

Laura Basini
pp. 683-685
restricted access

How Sondheim Found his Sound (review)

Joseph Peter Swain
pp. 685-687
restricted access

Benjamin Britten and Samuel Barber: Their Lives and their Music (review)

Lloyd Whitesell
pp. 687-688
restricted access

Le Destin russe et la musique: Un siècle de la Révolution à nos jours (review)

Rosamund Bartlett
pp. 688-690
restricted access

A Viola da Gamba Miscellanea (review)

Peter Holman
pp. 690-692
restricted access

Sergej Prokofjew in der Sowjetunion: Verstrickungen--Missverständnisse--Katastrophen: Ein internationales Symposium, and: Sergej Prokofjews viersätzige Klaviersonaten: Studien zu Form und Gehalt, and: Schräg zur Linie des sozialistischen Realismus?: Prokofjews spätere Sonaten sowie Orchester- und Bühnenwerke: Ein internationales Symposium, and: Die Wahrheit über Prokofjew: Das Drama der letzten Jahre (review)

David Fanning
pp. 692-694
restricted access

Wired for Sound: Engineering and Technologies in Sonic Cultures (review)

Simon Zagorski-Thomas
pp. 694-697
restricted access

Aaron Copland and his World (review)

David Nicholls
pp. 697-698
restricted access

Willem de Fesch: 'An excellent musician and a worthy man' (review)

H. Diack Johnstone
pp. 699-700
restricted access

Ibbs and Tillett: The Rise and Fall of a Musical Empire (review)

Benjamin Wolf
pp. 700-703
restricted access

Hearing Bach's Passions (review)

Alan Howard
pp. 703-706
restricted access

Correspondence

Wolfgang Sandberger
p. 707
restricted access

Contributors

p. 709
restricted access

Books Received

pp. 710-711
restricted access