1. The Prompter's Box: Back to the Future: One-Hundred Years after Ibsen
  2. Alan L. Ackerman
  3. pp. 225-234
  4. DOI: 10.1353/mdr.2006.0073
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  1. Ja, til Island! The Icelandic Reception of Hærmændene paa Helgeland
  2. Merrill Kaplan
  3. pp. 235-255
  4. DOI: 10.1353/mdr.2006.0080
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  1. "First and Foremost a Human Being": Idealism, Theatre, and Gender in A Doll's House
  2. Toril Moi
  3. pp. 256-284
  4. DOI: 10.1353/mdr.2006.0083
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  1. Ibsen Lite: Robert Wilson's When We Dead Awaken
  2. Joan Templeton
  3. pp. 285-303
  4. DOI: 10.1353/mdr.2006.0086
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  1. Ibsen, Heroism, and the Uncanny
  2. Atle Kittang
  3. pp. 304-326
  4. DOI: 10.1353/mdr.2006.0081
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  1. John Gabriel Borkman's Avant-Garde Continuity
  2. Mark B. Sandberg
  3. pp. 327-347
  4. DOI: 10.1353/mdr.2006.0084
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  1. Happiness as End: A Reading of Rosmersholm
  2. Anne-Marie Stanton-Ife
  3. pp. 348-369
  4. DOI: 10.1353/mdr.2006.0085
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  1. The Tragic Vision of Ibsen's Rosmersholm
  2. Van Laan, Thomas F., 1931-
  3. pp. 370-386
  4. DOI: 10.1353/mdr.2006.0087
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  1. When We Dead Awaken : A Scene That Gets out of Control
  2. Michael Goldman
  3. pp. 387-395
  4. DOI: 10.1353/mdr.2006.0078
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  1. Afterword: Ibsen, Beckett, and Uncertainty
  2. Errol Durbach
  3. pp. 396-401
  4. DOI: 10.1353/mdr.2006.0077
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  1. Utopia in Performance: Finding Hope at the Theater (review)
  2. Sara Jane Bailes
  3. pp. 402-405
  4. DOI: 10.1353/mdr.2006.0075
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  1. Rainer Werner Fassbinder and the German Theatre (review)
  2. Karen Jürs-Munby
  3. pp. 406-409
  4. DOI: 10.1353/mdr.2006.0079
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  1. Queer Mythologies: The Original Stageplays of Pam Gems (review)
  2. Elaine Aston
  3. pp. 409-410
  4. DOI: 10.1353/mdr.2006.0074
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  1. Off-Centre Stages: Fringe Theatre at the Open Space and the Round House 1968-1983 (review)
  2. Nicholas Wood
  3. pp. 411-413
  4. DOI: 10.1353/mdr.2006.0088
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  1. Staging the Easter Rising: 1916 as Theatre (review)
  2. P. J. Mathews
  3. pp. 413-415
  4. DOI: 10.1353/mdr.2006.0082
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  1. Contributors
  2. pp. 416-417
  3. DOI: 10.1353/mdr.2006.0076
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