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Table of Contents

  1. Editor's Column
  2. John Miles Foley
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/ort.2006.0015
  5. restricted access
  1. "Whistlin' Towards the Devil's House": Poetic Transformations and Natural Metaphysics in an Appalachian Folktale Performance
  2. Joseph Daniel Sobol
  3. pp. 3-43
  4. DOI: https://doi.org/10.1353/ort.2006.0021
  5. restricted access
  1. "Blasts of Language": Changes in Oral Poetics in Britain since 1965
  2. Nicky Marsh, Peter Middleton, Victoria Sheppard
  3. pp. 44-67
  4. DOI: https://doi.org/10.1353/ort.2006.0016
  5. restricted access
  1. Performance and Text in the Italian Carolingian Tradition
  2. Antonio Scuderi
  3. pp. 68-89
  4. DOI: https://doi.org/10.1353/ort.2006.0018
  5. restricted access
  1. Daimokutate: Ritual Placatory Performance of the Genpei War
  2. Elizabeth Oyler
  3. pp. 90-118
  4. DOI: https://doi.org/10.1353/ort.2006.0017
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  1. Elaborate Versionings: Characteristics of Emergent Performance in Three Print/Oral/Aural Poets
  2. Kenneth Sherwood
  3. pp. 119-147
  4. DOI: https://doi.org/10.1353/ort.2006.0019
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  1. Neoanalysis, Orality, and Intertextuality: An Examination of Homeric Motif Transference
  2. Jonathan S. Burgess
  3. pp. 148-189
  4. DOI: https://doi.org/10.1353/ort.2006.0014
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  1. Carneades' Quip: Orality, Philosophy, Wit, and the Poetics of Impromptu Quotation
  2. Mark David Usher
  3. pp. 190-209
  4. DOI: https://doi.org/10.1353/ort.2006.0022
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  1. Calliope, a Muse Apart: Some Remarks on the Tradition of Memory as a Vehicle of Oral Justice
  2. Penelope Skarsouli
  3. pp. 210-228
  4. DOI: https://doi.org/10.1353/ort.2006.0020
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  1. About the Authors
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/ort.2006.0013
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