1. Editor's Note
  2. John N. Duvall
  3. pp. 545-547
  4. DOI: 10.1353/mfs.2006.0059
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  1. Beloved's Claim
  2. Christopher Peterson
  3. pp. 548-569
  4. DOI: 10.1353/mfs.2006.0072
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  1. "Curiously Without Body": The Hidden Language of Zona Gale's Faint Perfume
  2. Susan Tomlinson
  3. pp. 570-587
  4. DOI: 10.1353/mfs.2006.0076
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  1. Nathanael West and the Mystery of Feeling
  2. Jonathan Daniel Greenberg
  3. pp. 588-612
  4. DOI: 10.1353/mfs.2006.0062
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  1. Public Personae and the Private I: De-Compositional Ontology in Paul Auster's The New York Trilogy
  2. Scott A. Dimovitz
  3. pp. 613-633
  4. DOI: 10.1353/mfs.2006.0058
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  1. History on Speed: Media and the Politics of Forgetting in Milan Kundera's Slowness
  2. Natasa Kovacevic
  3. pp. 634-655
  4. DOI: 10.1353/mfs.2006.0067
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  1. Dreams of Melanesia: Masculinity and the Exorcism of War in Pat Barker's The Ghost Road
  2. Jennifer Shaddock
  3. pp. 656-674
  4. DOI: 10.1353/mfs.2006.0074
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  1. Mimicry, Spatial Captation, and Feng Shui in Han Ong's Fixer Chao
  2. Hsuan L. Hsu
  3. pp. 675-704
  4. DOI: 10.1353/mfs.2006.0065
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  1. Reckoning Day: Race, Representation, and Redress in Women's Literature and Film
  2. William B. Covey
  3. pp. 705-715
  4. DOI: 10.1353/mfs.2006.0057
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  1. The Vonnegut Effect (review)
  2. Donald E. Morse
  3. pp. 718-721
  4. DOI: 10.1353/mfs.2006.0071
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  1. Gertrude Stein and the Essence of What Happens (review)
  2. Barbara Will
  3. pp. 721-724
  4. DOI: 10.1353/mfs.2006.0077
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  1. Rethinking Social Realism: African American Art and Literature, 1930-1953 (review)
  2. James Edward Smethurst
  3. pp. 725-727
  4. DOI: 10.1353/mfs.2006.0075
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  1. SuburbiaNation: Reading Suburban Landscape in Twentieth-Century American Fiction and Film (review)
  2. Patrick Meanor
  3. pp. 728-731
  4. DOI: 10.1353/mfs.2006.0069
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  1. The Death-Bound-Subject: Richard Wright's Archaeology of Death (review)
  2. Jeffrey Atteberry
  3. pp. 731-734
  4. DOI: 10.1353/mfs.2006.0055
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  1. The Master and the Dean: The Literary Criticism of Henry James and William Dean Howells (review)
  2. Bev Hogue
  3. pp. 735-737
  4. DOI: 10.1353/mfs.2006.0064
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  1. Colonial Strangers: Women Writing the End of the British Empire (review)
  2. Jason Howard Mezey
  3. pp. 738-741
  4. DOI: 10.1353/mfs.2006.0070
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  1. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (review)
  2. Mark Hussey
  3. pp. 742-745
  4. DOI: 10.1353/mfs.2006.0066
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  1. Conrad and Empire (review)
  2. Jennifer French
  3. pp. 745-748
  4. DOI: 10.1353/mfs.2006.0061
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  1. Confluences: Postcolonialism, African American Literary Studies, and the Black Atlantic (review)
  2. Jonathan P. Eburne
  3. pp. 748-752
  4. DOI: 10.1353/mfs.2006.0060
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  1. I Know that You Know that I Know: Narrating Subjects from Moll Flanders to Marnie (review)
  2. David Herman
  3. pp. 753-756
  4. DOI: 10.1353/mfs.2006.0063
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  1. Faculty Towers: The Academic Novel and Its Discontents (review)
  2. Alan T. McKenzie
  3. pp. 757-759
  4. DOI: 10.1353/mfs.2006.0068
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  1. In the Presence of Audience: The Self in Diaries and Fiction (review)
  2. Nóra Séllei
  3. pp. 760-763
  4. DOI: 10.1353/mfs.2006.0073
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  1. Contributors
  3. pp. 764-765
  4. DOI: 10.1353/mfs.2006.0056
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