In this Issue

Table of Contents

Editor's Note

John N. Duvall
pp. 545-547
DOI: https://doi.org/10.1353/mfs.2006.0059
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Beloved's Claim

Christopher Peterson
pp. 548-569
DOI: https://doi.org/10.1353/mfs.2006.0072
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"Curiously Without Body": The Hidden Language of Zona Gale's Faint Perfume

Susan Tomlinson
pp. 570-587
DOI: https://doi.org/10.1353/mfs.2006.0076
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Nathanael West and the Mystery of Feeling

Jonathan Daniel Greenberg
pp. 588-612
DOI: https://doi.org/10.1353/mfs.2006.0062
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Public Personae and the Private I: De-Compositional Ontology in Paul Auster's The New York Trilogy

Scott A. Dimovitz
pp. 613-633
DOI: https://doi.org/10.1353/mfs.2006.0058
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History on Speed: Media and the Politics of Forgetting in Milan Kundera's Slowness

Natasa Kovacevic
pp. 634-655
DOI: https://doi.org/10.1353/mfs.2006.0067
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Dreams of Melanesia: Masculinity and the Exorcism of War in Pat Barker's The Ghost Road

Jennifer Shaddock
pp. 656-674
DOI: https://doi.org/10.1353/mfs.2006.0074
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Mimicry, Spatial Captation, and Feng Shui in Han Ong's Fixer Chao

Hsuan L. Hsu
pp. 675-704
DOI: https://doi.org/10.1353/mfs.2006.0065
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Reckoning Day: Race, Representation, and Redress in Women's Literature and Film

William B. Covey
pp. 705-715
DOI: https://doi.org/10.1353/mfs.2006.0057
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The Vonnegut Effect (review)

Donald E. Morse
pp. 718-721
DOI: https://doi.org/10.1353/mfs.2006.0071
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Gertrude Stein and the Essence of What Happens (review)

Barbara Will
pp. 721-724
DOI: https://doi.org/10.1353/mfs.2006.0077
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Rethinking Social Realism: African American Art and Literature, 1930-1953 (review)

James Edward Smethurst
pp. 725-727
DOI: https://doi.org/10.1353/mfs.2006.0075
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SuburbiaNation: Reading Suburban Landscape in Twentieth-Century American Fiction and Film (review)

Patrick Meanor
pp. 728-731
DOI: https://doi.org/10.1353/mfs.2006.0069
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The Death-Bound-Subject: Richard Wright's Archaeology of Death (review)

Jeffrey Atteberry
pp. 731-734
DOI: https://doi.org/10.1353/mfs.2006.0055
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The Master and the Dean: The Literary Criticism of Henry James and William Dean Howells (review)

Bev Hogue
pp. 735-737
DOI: https://doi.org/10.1353/mfs.2006.0064
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Colonial Strangers: Women Writing the End of the British Empire (review)

Jason Howard Mezey
pp. 738-741
DOI: https://doi.org/10.1353/mfs.2006.0070
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Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (review)

Mark Hussey
pp. 742-745
DOI: https://doi.org/10.1353/mfs.2006.0066
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Conrad and Empire (review)

Jennifer French
pp. 745-748
DOI: https://doi.org/10.1353/mfs.2006.0061
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Confluences: Postcolonialism, African American Literary Studies, and the Black Atlantic (review)

Jonathan P. Eburne
pp. 748-752
DOI: https://doi.org/10.1353/mfs.2006.0060
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I Know that You Know that I Know: Narrating Subjects from Moll Flanders to Marnie (review)

David Herman
pp. 753-756
DOI: https://doi.org/10.1353/mfs.2006.0063
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Faculty Towers: The Academic Novel and Its Discontents (review)

Alan T. McKenzie
pp. 757-759
DOI: https://doi.org/10.1353/mfs.2006.0068
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In the Presence of Audience: The Self in Diaries and Fiction (review)

Nóra Séllei
pp. 760-763
DOI: https://doi.org/10.1353/mfs.2006.0073
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Contributors

pp. 764-765
DOI: https://doi.org/10.1353/mfs.2006.0056
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