In this Issue
For a decade, The Opera Quarterly has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening, and enjoyable reading on all aspects of opera.
published by
Oxford University Pressviewing issue
Volume 21, Number 4, Autumn 2005Table of Contents
pp. 573-596
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View Untimely Reflections on Operatic Echoes: How Sound Travels in Monteverdi's LiOrfeo and Beethoven's Fidelio, with a Short Instrumental Interlude
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Untimely Reflections on Operatic Echoes: How Sound Travels in Monteverdi's LiOrfeo and Beethoven's Fidelio, with a Short Instrumental Interlude
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pp. 631-646
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View On the Musical Gathering of Echoes of the Voice: Walter Benjamin on Opera and the Trauerspiel
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On the Musical Gathering of Echoes of the Voice: Walter Benjamin on Opera and the Trauerspiel
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pp. 647-674
pp. 759-763
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View Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious (review)
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Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious (review)
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pp. 763-767
pp. 767-770
pp. 770-773
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| ISSN | 1476-2870 |
|---|---|
| Print ISSN | 0736-0053 |
| Launched on MUSE | 2006-09-27 |
| Open Access | No |
Copyright
Copyright © 2005 Oxford University Press.
