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For a decade, The Opera Quarterly has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening, and enjoyable reading on all aspects of opera.
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Volume 21, Number 4, Autumn 2005Table of Contents
- Wagner, Cinema, and Redemptive Glee
- pp. 597-611
- Ombra Adorata
- pp. 612-630
- Echoed Above
- pp. 675-712
- From Pericles to Verdi (and Backward)
- pp. 713-715
- Notes from the Stage
- pp. 725-726
- Enduring Echo Effects
- pp. 726-734
- La marescialla d'Ancre (review)
- pp. 735-740
- Oberon (review)
- pp. 740-734
- Elvida (review)
- pp. 743-745
- L'elisir d'amore (review)
- pp. 745-747
- Lucia di Lammermoor (review)
- pp. 747-749
- Les pecheurs de perles (review)
- pp. 749-750
- Les pecheurs de perles (review)
- pp. 750-752
- The Mines of Sulphur (review)
- pp. 752-755
- The Life and Work of Pauline Viardot Garc
- pp. 773-778
- An Introduction from the Guest Editor
- pp. 571-572
- Contributors to This Issue
- pp. 779-781
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Copyright © 2005 Oxford University Press.