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Table of Contents

  1. Twelfth Night's "Notorious Abuse" of Malvolio: Shame, Humorality, and Early Modern Spectatorship
  2. Allison P. Hobgood
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/shb.2006.0049
  5. restricted access
  1. The Uses of Richard III : from Robert Cecil to Richard Nixon
  2. M. G. Aune
  3. pp. 23-47
  4. DOI: https://doi.org/10.1353/shb.2006.0045
  5. restricted access
  1. Speculations on Shakespearean Cinematic Liveness
  2. Laurie E. Osborne
  3. pp. 49-65
  4. DOI: https://doi.org/10.1353/shb.2006.0057
  5. restricted access
  1. Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare Adaptations from 1989 into the New Millennium (review)
  2. Helen Hull
  3. pp. 67-70
  4. DOI: https://doi.org/10.1353/shb.2006.0050
  5. restricted access
  1. Almost Shakespeare: Reinventing His Works for Cinema and Television (review)
  2. Nicholas R. Jones
  3. pp. 71-73
  4. DOI: https://doi.org/10.1353/shb.2006.0051
  5. restricted access
  1. Merchant of Venice (review)
  2. Yu Jin Ko
  3. pp. 75-84
  4. DOI: https://doi.org/10.1353/shb.2006.0054
  5. restricted access
  1. Hamlet (review)
  2. Douglas E. Green
  3. pp. 84-88
  4. DOI: https://doi.org/10.1353/shb.2006.0048
  5. restricted access
  1. Hamlet (review)
  2. Peter T. Donahue
  3. pp. 89-92
  4. DOI: https://doi.org/10.1353/shb.2006.0047
  5. restricted access
  1. Romeo and Juliet, and: 'Tis Pity She's a Whore (review)
  2. Elizabeth Charlebois
  3. pp. 92-97
  4. DOI: https://doi.org/10.1353/shb.2006.0044
  5. restricted access
  1. The Revenger's Tragedy (review)
  2. M. G. Aune
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/shb.2006.0046
  5. restricted access
  1. The Revenger's Tragedy (review)
  2. Steve Mentz
  3. pp. 100-103
  4. DOI: https://doi.org/10.1353/shb.2006.0056
  5. restricted access
  1. All's Well That Ends Well (review)
  2. Gary F. Waller
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/shb.2006.0061
  5. restricted access
  1. A Midsummer Night's Dream (review)
  2. Barbara Ann Lukacs
  3. pp. 106-110
  4. DOI: https://doi.org/10.1353/shb.2006.0055
  5. restricted access
  1. The Taming of the Shrew (review)
  2. Anna Kamaralli
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/shb.2006.0052
  5. restricted access
  1. The Wars of the Roses (review)
  2. Kate Wilkinson
  3. pp. 113-120
  4. DOI: https://doi.org/10.1353/shb.2006.0062
  5. restricted access
  1. Richard III (review)
  2. Michael W. Shurgot
  3. pp. 120-123
  4. DOI: https://doi.org/10.1353/shb.2006.0058
  5. restricted access
  1. The Shakespeare Handbooks Macbeth: A Guide to the Text and its Theatrical Life, and: The Shakespeare Handbooks The Merchant of Venice: A Guide to the Text and its Theatrical Life, and: The Shakespeare Handbooks As You Like It: A Guide to the Text and its Theatrical Life (review)
  2. Douglas King
  3. pp. 125-131
  4. DOI: https://doi.org/10.1353/shb.2006.0053
  5. restricted access
  1. Twelfth Night: A Guide to the Play (review)
  2. Marguerite A. Tassi
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/shb.2006.0060
  5. restricted access
  1. Prospero's "True Preservers": Peter Brook, Yukio Ninagawa, and Giorgio Strehler--Twentieth-Century Directors Approach Shakespeare's The Tempest (review)
  2. Marianne Szlyk
  3. pp. 134-137
  4. DOI: https://doi.org/10.1353/shb.2006.0059
  5. restricted access