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Table of Contents

  1. Editor's Column: On Critical Dialogues
  2. James Phelan
  3. pp. 205-206
  4. DOI: https://doi.org/10.1353/nar.2006.0017
  5. restricted access
  1. A Theory of Narrative Empathy
  2. Suzanne Keen
  3. pp. 207-236
  4. DOI: https://doi.org/10.1353/nar.2006.0015
  5. restricted access
  1. On Narrativity in the Visual Field: A Psychoanalytic View of Velazquez's Las Meninas
  2. Efrat Biberman
  3. pp. 237-253
  4. DOI: https://doi.org/10.1353/nar.2006.0009
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  1. The Interplay of Narrative and Lyric: Competition, Cooperation, and the Case of the Anticipatory Amalgam
  2. Heather Dubrow
  3. pp. 254-271
  4. DOI: https://doi.org/10.1353/nar.2006.0012
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  1. The Story Was Already Written: Narrative Theory in The Lord of the Rings
  2. Mary R. Bowman
  3. pp. 272-293
  4. DOI: https://doi.org/10.1353/nar.2006.0010
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  1. Jane Austen's "Wild Imagination": Romance and the Courtship Plot in the Six Canonical Novels
  2. Charles H. Hinnant
  3. pp. 294-310
  4. DOI: https://doi.org/10.1353/nar.2006.0014
  5. restricted access
  1. Theory of Fiction: A Non-Western Narrative Tradition
  2. Ming Dong Gu
  3. pp. 311-338
  4. DOI: https://doi.org/10.1353/nar.2006.0013
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  1. "Who Thinks This Book?" Or Why the Author/God Analogy Merits Our Continued Attention
  2. Barbara K. Olson
  3. pp. 339-346
  4. DOI: https://doi.org/10.1353/nar.2006.0016
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  1. Knowing or Creating? A Response to Barbara Olson
  2. Jonathan D. Culler
  3. pp. 347-348
  4. DOI: https://doi.org/10.1353/nar.2006.0011
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  1. Speed, Rhythm, Movement: A Dialogue on K. Hume's Article "Narrative Speed"
  2. Jan Baetens, Kathryn Hume
  3. pp. 349-355
  4. DOI: https://doi.org/10.1353/nar.2006.0008
  5. restricted access