In this Issue
Callaloo, the premier journal of literature, art, and culture of the African Diaspora, publishes original work by and about writers and visual artists of African descent worldwide. Recently ranked 13th in Every Writer's Resource's Top 50 Literary Magazines, Callaloo offers an engaging mixture of fiction, poetry, critical articles, interviews, drama, and visual art. Frequent annotated bibliographies, special issues dedicated to major writers and literary, social, and cultural themes, and full-color, original artwork and photography are some of the features of this highly acclaimed international showcase of arts and letters.
published by
Johns Hopkins University Pressviewing issue
Volume 29, Number 2, Spring 2006Table of Contents
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View Supesta Cirugia, and: Mi Indiferente Corrupcion, and: El Nobel Peso de la Moral, and: Sin Importar los Platos Rotos, and: Cuando la Franccion Transita, and: Efimera Apariencia, and: Abrazo (Diptico), and: Paseo por el Mall, and: Penitencia
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Supesta Cirugia, and: Mi Indiferente Corrupcion, and: El Nobel Peso de la Moral, and: Sin Importar los Platos Rotos, and: Cuando la Franccion Transita, and: Efimera Apariencia, and: Abrazo (Diptico), and: Paseo por el Mall, and: Penitencia
- Save Supesta Cirugia, and: Mi Indiferente Corrupcion, and: El Nobel Peso de la Moral, and: Sin Importar los Platos Rotos, and: Cuando la Franccion Transita, and: Efimera Apariencia, and: Abrazo (Diptico), and: Paseo por el Mall, and: Penitencia
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View Not Quite the Gabbling of "A Thing Most Brutish": Caliban's Kiswahili in Aime Cesaire's A Tempest
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Not Quite the Gabbling of "A Thing Most Brutish": Caliban's Kiswahili in Aime Cesaire's A Tempest
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View Postcolonial Narrative and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison (review)
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Postcolonial Narrative and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison (review)
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| ISSN | 1080-6512 |
|---|---|
| Print ISSN | 0161-2492 |
| Launched on MUSE | 2006-08-09 |
| Open Access | No |
Copyright
Copyright © 2006 Charles H. Rowell.




