1. Survivance and Fluidity: George Copway's The Life, History, and Travels of Kah-ge-ga-gah-bowh
  2. Cathy Rex
  3. pp. 1-33
  4. DOI: 10.1353/ail.2006.0028
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  1. Europe and the Quest for Home in James Welch's The Heartsong of Charging Elk and Leslie Marmon Silko's Gardens in the Dunes
  2. Suzanne Ferguson
  3. pp. 34-53
  4. DOI: 10.1353/ail.2006.0026
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  1. "A World Away from His People": James Welch's The Heartsong of Charging Elk and the Indian Historical Novel
  2. James J. Donahue
  3. pp. 54-82
  4. DOI: 10.1353/ail.2006.0025
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  1. Composite Indigenous Genres: Cheyenne Ledger Art as Literature
  2. Denise Low
  3. pp. 83-104
  4. DOI: 10.1353/ail.2006.0027
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  1. What Writer Would Not Be an Indian for a While? Charles Alexander Eastman, Critical Memory, and Audience
  2. Gale P. Coskan-Johnson
  3. pp. 105-131
  4. DOI: 10.1353/ail.2006.0023
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  1. Viet Cong at Wounded Knee: The Trail of a Blackfeet Activist (review)
  2. Scott Andrews
  3. pp. 132-135
  4. DOI: 10.1353/ail.2006.0022
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  1. Spaces of the Mind: Narrative and Community in the American West (review)
  2. Frances Washburn
  3. pp. 135-138
  4. DOI: 10.1353/ail.2006.0031
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  1. Chinnubbie and the Owl: Muscogee (Creek) Stories, Orations, and Oral Traditions (review)
  2. Tereza Szeghi
  3. pp. 138-141
  4. DOI: 10.1353/ail.2006.0030
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  1. Kill the Indian, Save the Man: The Genocidal Impact of American Indian Residential Schools (review)
  2. Beverly Slapin
  3. pp. 141-143
  4. DOI: 10.1353/ail.2006.0029
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  1. Contributor Biographies
  2. pp. 145-146
  3. DOI: 10.1353/ail.2006.0021
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  1. Major Tribal Nations and Bands Mentioned in This Issue
  2. pp. 147-149
  3. DOI: 10.1353/ail.2006.0024
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